JOHN POWELL’S SCORE FOR HOW TO TRAIN YOUR DRAGON IS NAMED
INTERNATIONAL FILM MUSIC CRITICS’ 2010 FILM SCORE OF THE YEAR
From their website:
"The International Film Music Critics Association announces the winners of its seventh annual awards for excellence in musical scoring in 2010 with John Powell’s score for the animated film HOW TO TRAIN YOUR DRAGON topping the list, winning both Film Score of the Year and Best Score for an Animated Film. Alexandre Desplat receives three awards: Best Score for a Drama Film (THE KING’S SPEECH), Best Score for an Action/Adventure/Thriller Film (THE GHOST WRITER) and Composer of the Year."
I couldn’t be happier or more excited that Powell and HTTYD have been recognized in this way. I love the fact that this organization differentiates between types of scores. I am a little confused, however, how they can decide that HTTYD has the Best Score of the Year and yet Alexandre Desplat is the Composer of the Year.
The seeming disparity actually it reminds me of the Oscar races for Best Director and Best Picture. Many pundits and critics are still predicting David Fincher will take Best Director for The Social Network while also guessing The King’s Speech will win Best Picture. I guess that means that scores can compose themselves just like films can direct themselves.
So what does this win mean for John Powell and HTTYD‘s chances on Sunday night?
Desplat’s last win in which he went head to head with Powell was at the BAFTAs. Not at all surprising given the rout that the ‘veddy British’ The King’s Speech perpetrated on its competitors. The question remains how will either one of them do Sunday night against Golden Globe winners Trent Reznor and Atticus Ross for The Social Network. I realize there are two other films also nominated and Hans Zimmer can never be counted out, particularly when support for Inception seems to be gaining ground. A.R. Rahmin, who won in 2009 for both score and song for Slumdog Millionaire should probably just be happy to be nominated.
IF Powell has to lose, I’d much rather it be to Desplat, who has been nominated four times for some truly beautiful music, including the score for The Queen, but has never won, than to Reznor and Ross for a score that I don’t think anyone will be listening to nor even remember next year.
That being said, I really really really want Powell to win.
As always, thanks for reading. Since I can’t give you pics of music…