The latest and greatest – the international – trailer for Sir Ridley Scott’s The Counselor has just hit. We looked at the domestic version a couple of weeks ago. This one packs about 30 seconds more footage, as well as recutting what we’ve already seen. We get a lot of information here, not to mention a better idea of why Fassbender is already being touted as a probable Oscar nominee.
As thrilled as I am to see more of this, I have to ask yet again, “How much is too much?” Has the entire game been given away? Who are the producers aiming for with this trailer? Who could they possibly be trying to reel in, that isn’t already impressed with the combination of Fassbender, Bardem, Cruz, Diaz, and Pitt all directed by Sir Ridley Scott from an original script by Cormac McCarthy?
As we know, Michael Fassbender stars as a lawyer who gets in over his head when he enters the drug trade. While this new trailer, the longest one yet, does go deeper into the plot with a decided emphasis on character, and definitely amping up the drama, is it possible that the producers are hoping to entice fans attracted to less high-brow fare than films with this pedigree, say Jason Statham flicks like Parker or The Transporter, or perhaps The Fast and Furious franchise? I’m not suggesting that there is anything inherently wrong with those movies and certainly not with liking them, but I’m always curious about what motivates some of the marketing decisions behind a film, and this trailer looks to have been cut with an eye toward the fans of those films.
Have a look:
trailer courtesy 20th Century Fox UK via YouTube
So this time around we get more sexy times with Fassbender and Penelope Cruz. “Life is being in bed with you,” Fassbender whispers. “Everything else is just waiting.” (The female demographic is a lock.)
Speaking of sexy, we have what appears to be a deliciously sinister Cameron Diaz, (in what may be her best role
ever in years as “Malkina”) whose character seems to enjoy playing mind games (among other things). Love the tatts.
Cut to Bardem and his wacky hair and we’re back in the action.
“You are the world you have created, and when you cease to exist, this world that you have created, will also cease to exist,” drug kingpin Reiner warns The Counselor.
Whoa…philosophy. Not for long though.
Enter Westray, played by Brad Pitt (and his bad hair). Is he aiding and abetting or is he scamming our good Counselor? (The Counselor, by the way, is both the film’s title and Fassbender’s only moniker).
Even if we hadn’t been told, it’s obvious from the quick cut of him breaking down and the shots of an obviously freaked Cruz, that Fassbender is indeed “in way over his head” and things are going to get really ugly.
But the question still remains, does this give too much away? Almost all of the questions I asked in my last post, have been answered. Now, as indicated above, I’m extremely eager to see what Sir Ridley has in store for us, but I am a guaranteed butt in the seat. I’m one of those they had with the cast, director and script. Period. And although each new bit revealed is a tantalizing treat, I don’t want to see the whole thing BEFORE I buy my ticket. No matter how much I think I know, I want to watch it all unfold, in the dark, with my vat o’popcorn.
It is a shame that it appears, in order to lure those ticket buyers that they’re still working on, that producers feel that they will have to spell it all out with placards and hand puppets. But that’s JMHO and I can always just refuse to watch the next trailer. (Yeah, right.)
The Counselor also stars Dean Norris, Rosie Perez, John Leguizamo, Natalie Dormer, and Goran Visnjic. It opens on October 25th in the US and 15th November in the UK.
OH! And in other Fassy news: how cool is it that Marion Cotillard will be playing Lady Macbeth opposite Michael Fassbender? I wonder if James McAvoy (an actual Scot) is pissed. He did just end a run in the play in London’s West End, after all. So we have The Scottish play starring a German/Irishman and a French woman, directed by Aussie Justin Kurzel (The Snowtown Murders) from a screenplay cowritten by actor/director Todd Louiso (of Jerry Maguire fame), an American. And yet, I’m ever hopeful.