#GerardButler in #Geostorm Now Brewing in 2017 But What Does It All Mean?

Septembers of Shiraz, movie, poster, Iran, based on novel, Adrian Brody, Salma Hayek, Gerard Butler

I’m sensing it’s the end of an era. You know I work really hard at keeping the faith, keeping the torch of Gerard Butler’s career lit (for all the thanks I get from him), but I have no idea what to make of this newest development. We’ve gone from a possible three films in 2015, to no films in 2015. Three films in the can. All three have now been pushed back from their original release dates.

London Has Fallen, the sequel to 2013’s surprise hit Olympus Has Fallen and the closest thing to a safe bet among the three, will, as of this writing at least, be released in January 22, 2016, pushed back from October 2015. I’ve already complained about the fact that the October 2 date was given to what will surely be an execrable remake of 80’s “classic” Point Break (sorry Edgar Ramirez, but I don’t think even you’ll be able to save it). The reason supposedly had something to do with a crowded fall schedule. The original date would have pitted the film, by a director, Babak Najafi, making his English language debut, against Victor Frankenstein with James McAvoy and Daniel Radcliffe and Robert ZemeckisThe Walk with Joseph Gordon Levitt, among others.

Alex Proyas’ (RepoMan) Gods of Egypt is slated to follow in April 2016, back from an original date of February 12. Despite the fact that I’m a tad peeved that it won’t open on my birthday, The rescheduled date actually bodes well, on the face of it. February is the new January. While the first month of the year used to a wasteland of dumped films that studios had no confidence in, but figured might make a few bucks, and they had to put out something. These days, quite a few studios are “counter-programming” against the late end of December rush to release awards season fodder, by unleashing some films in January that are not meant to garner awards but just entertain those segments of the population that either have no interest in more high-brow fare, or who have already seen everything. So now February has become the dead space between end of year blockbusters and art films and new Spring films. An April date for Gods of Egypt might just signal a little more faith from its studio, Lionsgate/Summit. They’ll need some faith. They’ve got a huge nut to crack. Twelve special effects companies are expensive. $140 million expensive. (Although supposedly, Lionsgate/Summit’s ante was only around $10 million, because of the international pre-sales and Australia tax incentives.)

Lastly, there’s Geostorm which had originally been slated for an October 2016 release. Today it was announced that it has been pushed back to January 2017. Geostorm is the directorial debut of disaster flick maven, writer/producer Dean Devlin. The cast, in addition to Butler includes Jim Sturgess, Abbie Cornish, Mare Winningham, Kathryn Winnick, Ed Harris and Andy Garcia. In it, Butler is a “charming but stubborn satellite designer called in to help when the orbiting devices that control the Earth’s weather start to go haywire, leading to fears that the worst storm humanity has ever known could soon befall us all. Sturgess is his estranged brother, with whom he’ll have to work if he’s to stop the meteorological meltdown.”
No reason has been given for this latest move. It’s been deduced that it is to give Devlin (who is also at work on his TNT series “The Librarians”) more time in post-production (where it’s been since March 2015). So it was originally going to be a year and a half from wrap to release, now it’ll be closer to two years. The same can be said of Gods of Egypt, which when into post in July 2014. Both films are ultra- special effects heavy extravaganzas. The latter takes place almost entirely in front of a green screen.

I actually don’t think this will be the final move for Geostorm. Giving Devlin a few more months to tinker is one thing, but the new date is already crowded with the likes of the Magnificent Seven remake, DreamWorks Animation’s Boss Baby, the LONG gestating version of Stephen King’s The Dark Tower (which hasn’t even filmed yet) and the latest Power Rangers reboot. Regardless of what I think of those films, it’s likely that at least one of them will share ticket buyers with Geostorm. So we’ll see.

While all of this may be out of Gerard Butler’s control, probably yet another reason he’s taken to producing his own films (and he only has a hand in one of these, London Has Fallen), he’s been out of the movie-going public’s eye since October 2013. That’s a Hollywood lifetime. I think this was the point. I’d like to believe that even he had tired of the carnival that is his life. While no one has more fun, in terms of his career, it was time to take a step back and reassess. Or at least that’s what I want to believe. While I know it hasn’t all been endless vacations in between Hugo Boss campaigns, none of these three films add up to what I believe is his own (well-deserved) version of a McConaissance. I sincerely hope I’m wrong, but they appear, at first blush, to be more of the same. Perhaps his manager/producing partner Alan Siegel knew of where he spoke when, quite a few years ago, he said (and I’m paraphrasing) that eventually Gerard Butler will disappear completely from in front of the camera and reemerge behind it. Perhaps that’s where he’ll find true creative fulfillment.

Butler will likely be in Toronto this month to attend the Gala premiere of Septembers of Shiraz, during the Toronto International Film Festival. It is the first film he’s shepherded as producer from the purchase of the book’s film rights all the way to the screen, and the first that doesn’t have him in it. It stars the other half of my favorite bromance, Adrien Brody, as well as Salma Hayek and Shohreh Aghdashloo.

Here’s the first clip:

(clip first published on Deadline.com)

The film, directed by Wayne Blair (The Sapphires) and based on the novel by Dalia Sofer, is the true story of a secular Jewish family and the unexpected journey they face during post-revolutionary Iran.

The clip features Farnez Amin (Hayek), pleading for details on the whereabouts of her husband (Brody), who was taken into custody and accused of espionage. “It’s time you understood, sister Amin, that the times when people like you could demand things from us are over. Now, it is our turn,” forewarns Mohsen (Alon Aboutboul).

As events build toward a dangerous bid to escape, Farnez and her husband Isaac Amin must confront their fundamental identity and what their future may hold.”

Movie 43 it ain’t.

I don’t predict huge box office in the US after its as yet to be determined and probably limited release, but it’ll likely have legs overseas and I have no doubt tireless promoter Butler will hand carry it across the globe if need be.

My point, if I have one, is that as the time between films in which Gerard Butler appears on our screens grows longer and longer, and some might well wonder if by the time these films are finally released anyone will still care, we might also ask, will he?

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JMHO Trailer Park: Blue-Eyed #JasonMomoa, #MichaelShannon Becomes Nucky,#JakeGyllenhaal Goes Up a Mountain & #CareyMulligan Takes a Stand

Debug, poster, movie, Jason Momoa, David Hewlett

I’m already skeptical whenever I find out about a film just prior to its release, after filming has taken place, posters put out, clips slipped to media outlets, etc.  I’m especially suspicious when the star of the flick is someone to whom I usually pay rather close attention. In this case, the movie is Debug and its “star” is Jason Momoa.

So, what exactly is going on here?

“Deep space. Six young hackers on a grueling work release program attempt to clear out – debug – the computer systems of a massive derelict space freighter. They quickly fall prey to the ship’s vengeful artificial intelligence, a program that would kill to be human. As the fractious team is forced to match wits with this rogue program, they discover that the ship holds a deadly secret, and a fate far worse than death.” 

Uh huh.

JoBlo has gotten their hands on an exclusive clip, in which Jason Momoa as Iam is doing battle with someone called Kaida (Jeaneann Goossen) which you can take a look at below:

Momoa’s the only “name” in the cast and his face is front and center on the poster, but he’s listed with “and”, which leads me to believe that it’s a cameo and there isn’t much more of him than in the clip.

The writer/director of this magnum opus is one David Hewlett. Yes, “Stargate: Atlantis” fans, THAT David Hewlett. I can only surmise that Mr. Momoa signed on as a favor to an old friend. The rest of the cast includes Tenika Davis, Adrian Holmes, Adam Butcher and Kerr Hewitt. JMHO, but I can’t see anything to recommend Debug, other than as a curiosity.

Jason Momoa, movie, photo, Debug, David Hewlett

Except that it’s hard to find fault with a blue-eyed Jason Momoa. Yes, I’m that shallow.

Debug gets a simultaneous (limited) theatrical, dvd & blu-ray bow on June 12.

99 Homes, Michael Shannon, Andrew Garfield, Laura Dern, movie, poster

At the other end of the spectrum, 99 Homes has been making a splash on the festival circuit for nearly a year, screening to critical acclaim at 2014’s Venice, Telluride and Toronto Fests, as well as Sundance 2015, among others. I’ve been wondering when or even if, it was going to get a domestic release. The answer is yes, on September 25.

The always excellent, always watchable Michael Shannon stars with Andrew Garfield, Laura Dern, Tim Guinee and (our social-media friend) Noah Lomax, in writer/director Ramin Bahrani‘s look at the fall-out from the economic collapse that forced millions of Americans from their homes. Frankly, I can’t wait to see how he fashioned a thriller out of the very real pain from which a lot of those people are still reeling.

A father struggles to get back the home that his family was evicted from by working for the greedy real estate broker who’s the source of his frustration.

Bahrani’s previous films have all been interested in social justice, from 2005’s award-winning Man Push Cart to 2012’s undervalued and underseen At Any Price (with Dennis Quaid).

Here, Garfield plays single dad Dennis Nash and Shannon, Rick Carver, the real estate agent who took his home. I’m still coming to terms with the fact that Laura Dern is old enough to play Andrew Garfield’s mother, but all glibness aside, the trailer alone will gut-punch you. Likening the housing crisis of the early 21st century to the Great Depression of the 20th, let me say that this isn’t Henry Gondorff and Johnny Hooker trying to take down fat-cat Doyle Lonnegan. This is The Grapes of Wrath with oranges.

The trailer:

99 HOMES hits theaters September 25, 2015.

Everest, Jason Clarke, Jake Gyllenhaal, movie, photo

Based on a true story, Baltasar Kormakur‘s Everest, tells the tale of two climbing expeditions trapped on the titular mountain by a severe storm. Personally I don’t know why anyone would want to climb the world’s highest peak, but then again, I can’t climb to the top of the Bunker Hill Monument without getting severe  .

I would, however, pay for a ticket to watch Jake Gyllenhaal, Keira Knightley and Jason Clarke battle the elements as they attempt to reach the summit of said mountain. Especially when the screenplay comes from Simon Beaufoy (Slumdog Millionaire) and Lem Dobbs (The Limey) among others.

As revealed in the trailer sets up an understandably intense battle of man versus nature when one of the biggest snowstorms in recorded history bears down on the two groups  of climbers.

The cast also includes Robin Wright, Josh Brolin, Emily Watson, Sam Worthington, Elizabeth Debicki, Michael Kelly, John Hawkes, Martin Henderson and Vanessa Kirby, to name but a few.

Take a look:

Everest opens in the US on September 18 and in the UK on 25th September.

Anne-Marie Duff, Carey Mulligan, Helena Bonham Carter, Romola Garai, photo, movie, Suffragette

It’s 2015 and we’re (hopefully) about to elect the first female President of these United States. How is it possible that Suffragette is the first feature film to tell the story of the movement that that led to the right of women to vote, first in Great Britain and then in America. Call them suffragettes or call them early feminists, these women risked everything for what should be a basic human right in a civilized society, something as simple as having a voice that counted.

The foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.

Maybe it’s because, while there have been victories, the war continues, maybe it’s the raw humanity that star Carey Mulligan so effortlessly projects, or maybe it was just the ethereal version of Fleetwood Mac’s “Landslide” sung by Robyn Sherwell, but this trailer gave me chills.

It was smart to limit La Streep’s appearance in this first trailer. As the head of the movement Emmeline Pankhurst, I expect Meryl Streep to have little more than a cameo and the film shouldn’t be sold on her name alone.  Helena Bonham Carter, Anne-Marie Duff and most especially, Mulligan, are obviously the heart and soul.

Written by Abi Morgan (Shame, The Iron Lady), Suffragette also stars two of the cast of her BBC drama “The Hour”, Romola Garai and Ben Whishaw.  The patriarchal oppressors are represented by Brendan Gleason, Geoff Bell, and Samuel West. The rest of the cast includes Morgan Watkins, Natalie Press and Adrian Schiller. Directed by Sarah Gavron, Suffragette will open the BFI London Film Festival on 7th October before opening in the US (23rd) and the UK (30th) later in the month.  Expect this to be  major player come awards season.

 

Watch #JasonSegel and #JesseEisenberg Have a Great Conversation in #TheEndoftheTour

poster, movie, The End of the Tour, David Foster Wallace, Jason Segel, Jesse Eisenberg, James Ponsoldt

The first trailer for Sundance favorite, The End of the Tour, directed by James Ponsoldt and starring Jason Segel as the late David Foster Wallace and Jesse Eisenberg as his erstwhile biographer (actually he’s a writer for Rolling Stone), has just been dropped by A24.
Let me start by reiterating that I am not a huge fan of Jesse Eisenberg. Anything past Zombieland, when I wasn’t all that familiar with him, including The Social Network and Now You See Me, all I ever see is Jesse Eisenberg. While it might be difficult for the actor to portray himself onscreen, and that might account for the kudos usually showered upon his performances, I never see a “character”. I never forget who I’m watching.
That out of the way, let me just say that I’ve been a Jason Segel fan since “Freaks and Geeks”. While I still mourn that show’s untimely demise (yes, fifteen years later), I take comfort in the fact that nearly every member of the cast has gone on to bigger and better things. Many of whom are even household names. (Poor Samm Levine. Quentin Tarantino put him in Inglourious Basterds, but I don’t think I’ve seen him since. Apparently, he’s done a lot of television *shrug*.)
These days Segel is probably best known for seven seasons of “How I Met Your Mother”, as well as comedic turns in Knocked Up, Forgetting Sarah Marshall, I Love You Man (all having at least a little something to do with Judd Apatow) and The Muppets.
Stretching toward “dramedy” in 2011, Segel did Jeff Who Lives at Home for the Duplass brothers. (It costars Ed Helms, Judy Greer and Susan Sarandon. It’s on Netflix. See it, if you haven’t) He co-wrote, co-produced (along with Apatow, among others) and starred in 2012’s The Five Year Engagement, with Emily Blunt. The cast also included Chris Pratt, Alison Brie and Jacki Weaver, and by all rights should have done better at the box office. The film’s release was delayed a number of times for various reasons, but I have to believe that not knowing which box it fit into and therefore the ability to sell it, is chief among them.
My point is that it’s not really a surprise that Segel is venturing into more serious territory. His contemporaries, most of which are also in the “Apatow Reperatory Company”, have certainly paved the way. (Sitting in the dark watching Superbad, who in their right mind would ever have predicted that Jonah Hill would now be known as a “two-time Academy Award nominee”? Insanity!)
Those who have already seen The End of the Tour, primarily at Sundance, have already put his name together with the phrase, “Best Actor contender”. Take a look:

While the movie is not about his death, knowing that Wallace committed suicide in 2008 makes all of this all the more poignant.

THE END OF THE TOUR tells the story of the five-day interview between Rolling Stone reporter (and novelist) David Lipsky (Jesse Eisenberg) and acclaimed novelist David Foster Wallace (Jason Segel), which took place right after the 1996 publication of Wallace’s groundbreaking epic novel, Infinite Jest. As the days go on, a tenuous yet intense relationship seems to develop between journalist and subject. The two men bob and weave around each other, sharing laughs and also possibly revealing hidden frailties – but it’s never clear how truthful they are being with each other. Ironically, the interview was never published, and five days of audio tapes were packed away in Lipsky’s closet. The two men did not meet again. The film is based on Lipsky’s critically acclaimed memoir about this unforgettable encounter, written following Wallace’s 2008 suicide. Both Segel and Eisenberg reveal great depths of emotion in their performances and the film is directed with humor and tenderness by Sundance vet James Ponsoldt from Pulitzer- Prize winner Donald Margulies’ insightful and heartbreaking screenplay.

The End of the Tour is director James Ponsoldt’s fourth feature film and is being hailed as his best to date.(I admit that while I loved Smashed from 2012, which showed Aaron Paul was much more than Jesse Pinkman, I have yet to see 2013’s, The Spectacular Now [which launched Miles Teller], or his first film, Off the Black, from 2006.) It’s been playing film festivals non-stop since January. (Including the Boston Independent Film Festival in April. Sadly, I missed it.)
The cast also includes Anna Chlumsky, Mamie Gummer, Ron Livingston, Mickey Sumner and Joan Cusack. The film will get a (limited) release in the US on July 31. We can hope that also means a VoD release of some sort as well.

Watch the Brilliant First Clips from #Macbeth with #MichaelFassbender!

Macbeth, Michael Fassbender, movie, poster, Marion Cotillard, Justin Kurzel, Shakespeare, Scottish play

Justin Kurzel‘s Macbeth will have its (eagerly awaited) world premiere at the Cannes Film Festival tomorrow (May 23), as the final film in the main competition. (Bit of trivia. While it’s the third* film version of Shakespeare’s play to appear in Cannes, it is  the first to screen in competition.)

To celebrate, StudioCanal has just released two clips. At the risk of appearing to be a Fassbender fan site (since my last post was also about a Fassy film. What can I say, he’s about to have a HUGE year), I have to share them. Sweet baby jeebus, please let the rest of this film look as good as these tiny snippets!

The first clip, the appropriately titled “Battle” shows Michael Fassbender as Macbeth, with his friend and ally, Banquo (Paddy Considine) on one side and Jack Reynor as Malcolm on the other, as they prepare to fight in service of their king, Duncan (played by David Thewlis).

The mist shrouded Scottish Highlands are certainly used to good effect. The clip also reminds us that in those days, if you were tall enough to hold a sword, you were old enough to fight, as there seem to be a lot of teenage boys in the mix. As for the style, personally I can’t wait to see more. I like Kurzel’s choice to intercut the adreneline fueled, angry rush of one fighting force toward the other, with a silent, slow-motion, almost balletic clash. A battle scene shot like that (which, granted has been used poorly in less subtle ways since Zack Snyder made it popular with 300. I don’t anticipate cartoonish splatters of blood to fill the screen) makes the fight more personal, the combatants rendered individually rather than an angry, noisy clash of swords and bodies, where it’s impossible to tell who’s doing what to whom.

Speaking of 300, is it just me or is Fassbender’s leap an Easter Egg for fans who remember Stelios’ athleticism?

Stelios, 300, Michael Fassbender, Macbeth, photo, athleticism

The second clip, “Coronation” gives us a brief glimpse of the gorgeous (even under a veil) Marion Cotillard as Lady M, Sean Harris as Macduff and Elizabeth Debicki as his lady:

Even in that brief look, it’s clearly evident that the Macduffs are not happy with the precedings. But the biggest take-away for me is that stunning opening shot to this clip. I have rewatched it several times now and I’m just in awe of the way Kurzel and his director of photography, Adam Arkapaw (who worked with the director on The Snowtown Murders**), used the rays of the sun streaming through the cathedral windows to such great effect. They create a cross-hatch pattern that naturally blurs the background which makes the figures surrounding the throne stand-out in bas relief, despite the fact that they are in shadow.

Both of these snippets are short, but full of foreboding, the tension high, especially in the latter.

Macbeth, a duke of Scotland, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

Macbeth will get a UK release on October 2 (which curiously predates the opening of the BFI London Film Festival by five days. This seems like a natural choice. Oh well. No one asked me.). No US dates announced yet, but Harvey Weinstein won a bidding war for the rights and he’s already said he’s positioning it for an awards season push. Expect it in November or December.

*after 1971’s version directed by Roman Polanski and director Claude d’Anna‘s French version in 1987.

**The Snowtown Murders is on Netflix. If you haven’t seen it, you need to.

#ArnoldSchwarzenegger & #Maggie head to #TribecaFilmFestival

Maggie, Arnold Schwarzenegger, Abigail Breslin, Henry Hobson, movie, poster, zombies

One of these things is not like the other. When was the last time a zombie flick, let alone one toplining Arnold Schwarzenegger, appeared at a film festival as prestigious as Tribeca? Answer: never. We might expect to find it at Comic Con, Wondercon or even SXSW, but not in the sophisticated concrete canyons of New York City at a fest that, in its 14th year, would like to be more readily likened to a Toronto South or a North American Cannes.
Sandwiched somewhere in between the 40th Anniversary screening of Monty Python & the Holy Grail, and the 25th Anniversary of Goodfellas (starring Tribeca founder Robert DeNiro), first time director Henry Hobson will bring his father/zombie daughter tale, Maggie, starring ‘The Governator’ himself, alongside Abigail Breslin (who’s already appeared in another well-received genre flick, 2009’s Zombieland). Hobson apparently earned his chops designing the title sequences for six episodes of “The Walking Dead”. (I’m not kidding.) He’ll enter the dramatic narrative competition alongside 1st time director John Maclean’s Slow West and Tim Blake Nelson’s Anesthesia (with Sam Waterston, Glenn Close & Corey Stoll), to name but two.
So, how did this happen, you might well ask. The script landed on the 2011 Black List and when it was optioned, was originally slated to star Chloe Grace Moretz (the other preternaturally-gifted teen actress) and Paddy Considine. Finally filmed in 2013, this incarnation was to bow at the Toronto International Film Festival last September, but was pulled by Lionsgate when they picked it up for distribution. Huh?

I don’t pretend to understand the wily ways and squirrelly logic of Lionsgate’s execs, but Maggie, judging from the accounts that I’ve read and this first trailer, might actually be good.
The film’s trailer shows Arnold Schwarzenegger’s character Wade, who has made a promise to his wife (the ever fabulous Joely Richardson) to take care of their daughter Maggie (Breslin), faced with a dilemma when the latter becomes infected with a zombie virus.Wade must grapple with whether he can “cure her”, to “save her”, before he has to “kill her”.
Schwarzenegger revealed the trailer on his Facebook page back on March 29. (I’m a little slow – which is news to no one.) He also had this to say, “It’s the most human role you’ve ever seen me take on. My co-star, Abigail Breslin, is absolutely incredible in the title role, and our director, Henry Hobson, made a beautiful film.”
Whether it is or it is not “beautiful”, the tone of the trailer, the score and even the gravitas in that poster, would suggest the filmmakers certainly think so and it does appear that this isn’t the usual zombie film filled with slow-moving undead hungry for BRAAAAAINZ!, but one that puts a spin on the genre by following the story of a father’s struggle to protect his daughter.

Check this out:

A teenage girl in the Midwest becomes infected by an outbreak of a disease that slowly turns the infected into cannibalistic zombies. During her transformation, her loving father stays by her side.

Written by another first-timer, John Scott 3, Maggie, made for a mere $8 million, also stars (no one else you’ve probably ever heard of) Laura Cayouette – Leo’s sister in Django Unchained, the hypnotized woman with the philandering husband in Now You See Me; Denise Williamson – 3 episode arc on “Friday Night Lights” as Maura; Raeden Greer – Pauline LaLaurie in “American Horror Story: Coven”; and J.D. Evermore – Sheriff Carl Daggett, “Rectify”. It is set to hit (a limited number of) theaters (and VOD) in the US on May 8.

“The Law Is Shot to Hell” Watch 1st Trailer for #SlowWest with #MichaelFassbender

Slow West, Michael Fassbender, Kodi Smit-McPhee, John Mclean, western, Ben Mendelsohn, Rory McCann

Sundance Film Festival poster for Slow West

It has been clear since the days of Jonah Hex, that any western which included Michael Fassbender would not be your typical “oater” or “horse opera” in the vein John Wayne or even Gary Cooper (super duper! C’mon, you know you totally heard Peter Boyle in your head). This would have been true of Jane Got Her Gun, if he’d stayed with the project, and it’s certainly true of Slow West. We’d had hints of its  unconventional nature from the few stills released following the film’s debut at Sundance, but now we have proof with the first trailer.

The film is writer/director John Mclean‘s feature debut after having helmed a few well-received shorts including Man On a Motorcycle and Pitch Black Heist, also starring Fassbender. In Slow West he plays Silas, a “mysterious drifter” who throws in with a 16 year-old Scottish immigrant (Kodi Smit-McPhee). The kid, in true knight errant fashion, is on a quest to find his lady love (Caren Pistorius), whose father (Rory McCann) has spirited her off to the wilds of the American west.

Despite the fact that Fassbender is playing a sort of outlaw Friar Laurence to this 19th century Romeo and Juliet, it would appear that the film is still awash with grubby, saddle-sore villains as well. The always fantastic Ben Mendelsohn (I remember when I saw Animal Kingdom for the first time. Joel Edgerton was already making a name for himself, but everything else I read said that James Frecheville* would be the break-out star. No one predicted it would be Mendelsohn who is suddenly required to be in all the movies. And have you seen “Bloodline” on Netflix?  Do it! Now! As usual I digress.) as Payne, the leader of a gang of money-hungry, cold-blooded bounty hunters, is one such character.  The actor apparently took a shine to Payne’s furry coat. He wore it to the Sundance premiere.

Take a look at this:

trailer via JoBlo

Those lucky enough to have already seen the movie have raved about Mclean’s debut, calling it a fairy tale about doomed romance and unlikely families, defined by its “sharp wit”, and “absurdist violence” remininscent of Tarantino.  When can I buy my ticket!

Produced by the team from The King’s Speech and Shame, Iain Canning and Emile Sherman, among others, including Fassbender, Slow West moseys into the Tribeca Film Festival April 18. Its May 15 US opening doesn’t preclude a stop on the French Riviera first, so I wouldn’t be surprised if its included in the upcoming Cannes Film Festival lineup as well. The UK gets it on 26 June.

*last seen in The Drop with Tom Hardy and James Gandolfini

“It’s a Good Day” says New #MadMax: Fury Road Int’l Trailer. Yeah, But For What?!

Tom Hardy, Mad Max Rockatansky, Mad Max: Fury Road,  movie, photo, trailer, Charlize Theron, George Miller

From the looks of this 67 seconds of hot, angry, sweaty, flaming mayhem…the answer is “to blow some shit up!”.

Warner Bros. has just released a new (and completely insane) Japanese trailer for this summer’s sure-to-be-blockbuster, Mad Max: Fury Road. And we thank them for it. Given the long road from inception to release that this film has traveled and is still traveling, the WB deserves kudos for not just keeping this in the front of moviegoers’ minds, but chomping at the proverbial bit.

Despite the fact that this clip is only a tad more than one-minute long, it not only compacts and condenses what was in the previous full-length trailer, it does provide some bits of new footage. How do they do that, you might well ask? By moving at the speed of sound and not wasting a nano-second of screen time on anything that isn’t racing, burning, screaming or better yet, exploding. There’s no room for flab in this post-apocalyptic wasteland.

Take a look:

Mad Mad: Fury Road is the fourth film of George Miller‘s Road Warrior/Mad Max franchise co-written and directed by Miller. The post-apocalyptic action film is set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. Within this world of fire and blood exist two rebels on the run who just might be able to restore order… There’s Max (Tom Hardy), a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And… Furiosa (Charlize Theron), a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland.”

Mad Max: Fury Road with Nicholas Hoult, Zoë Kravitz, Rosie Huntington-Whitely, Riley Keough, Abbey Lee, Nathan Jones, and Hugh Keays-Byrne, takes over the world on May 13-15, 2015, depending on where you are in it. (A May 13 premiere in France suggests an appearance on the Croisette, no? The Cannes Film Festival also begins that day.)