Screen Actors Guild 2017 Predictions!

Credit: Photo by Buckner/Variety/REX

Credit: Photo by Buckner/Variety/REX

I’m still working the kinks out, flexing my muscles, easing myself back into this blog. As you are probably aware, tomorrow will see the 23rd annual Screen Actors Guild Awards telecast. Since giving my opinion on weighty matters such as who will win which of the many awards the film industry likes to hand out to themselves is one of my specialties, I’m back with my predictions.

The SAG Awards and their show are all about the actors. We don’t have to waste time on the “crafts” or below-the-line names that no one recognizes and who run the show well past midnight, no matter how many times the orchestra tries to “play off” a winner who may never have this moment in the spotlight again and their over-long speech. (That was sarcasm, by the way. I’m one of those people who always stays for the credits at the end of a film. It’s the least we can do for those “below-the-line” names, without whom the film we’ve just watched could not be made.)  In any case, I like the SAG Awards show. Unlike the Oscars, where everyone sits in a theater counting the minutes before they can hit the bar or the snack table, but like The Golden Globes, everyone sits at tables with their respective casts, many of whom have not seen each other since their project wrapped – unless, like the casts of La La Land or Moonlight, for example, they’ve been hitting the “circuit” together for the past few months. Food is served, if you get there on time, and the champagne flows freely.  So tipsy actors get to accept awards given to them by their fellow actors. The speeches are generally the best of the major televised shows.  And the show ends on time.

FILM:

Outstanding Performance by a Male Actor in a Leading Role

Casey Affleck, Manchester by the Sea 

Andrew Garfield, Hacksaw Ridge

Ryan Gosling, La La Land

Viggo Mortensen, Captain Fantastic

Denzel Washington, Fences

I have to go with Casey Affleck. He’s been dominating awards season in this category. If he loses to anyone, it will be to Denzel Washington, who has never won a SAG Award. No, really.

Outstanding Performance by a Female Actor in a Leading Role

Amy Adams, Arrival

Emily Blunt, The Girl on the Train

Natalie Portman, Jackie

Emma Stone, La La Land

Meryl Streep, Florence Foster Jenkins

If SAG voting hadn’t already been concluded by the time Oscar nominations were announced, I might have gone with Amy Adams here, just to right the incredible wrong done to her by the Academy. But as it is, this comes down to early favorites Natalie Portman and Emma Stone.  Jackie’s star has faded and I think the buzz has gone off of Portman’s portrayal. Emma Stone won the Golden Globe for Musical/Comedy and here, awarding her is a way to award the movie, since it was not nominated in the Ensemble category (because really, La La Land is a two-person film. There is no real ensemble).

Outstanding Performance by a Male Actor in a Supporting Role

Mahershala Ali, Moonlight *

Jeff Bridges, Hell or High Water

Hugh Grant, Florence Foster Jenkins

Lucas Hedges, Manchester by the Sea

Dev Patel, Lion

Another actor dominating most of the guild and critics awards is Mahershala Ali. I can’t really even make a case for anyone else in this category. Ali’s not a newcomer, he’s an actor who’s paid his dues and earned this time in the spotlight. He’s been part of nominated ensembles before, namely “House of Cards” and The Curious Case of Benjamin Button and is part of two nominated ensembles this year, one of which will undoubtedly win, Hidden Figures and Moonlight

 

Outstanding Performance by a Female Actor in a Supporting Role

Viola Davis, Fences *

Naomie Harris, Moonlight

Nicole Kidman, Lion

Octavia Spencer, Hidden Figures

Michelle Williams, Manchester by the Sea

Again, I can’t even begin to make a case for anyone else in this category. If Viola Davis doesn’t win this, all bets are off and Chaos is driving the bus (to really mix my metaphors).

Outstanding Performance by a Cast in a Motion Picture

Captain Fantastic

Fences

Hidden Figures 

Manchester by the Sea

Moonlight 

This is the toughie. All of these ensembles are strong, but this award is the equivalent of a “Best Picture”.  That said, the only one of these films that has not been nominated for a Best Picture Academy Award is Captain Fantastic. So on that basis, I’m eliminating it from contention here. Which still leaves four incredible films.  I think the next to go has to be Manchester By the Sea (despite the fact that it is still my favorite from this group) because that movie rests on Casey Affleck’s shoulders (albeit with able assists from Michelle Williams and Lucas Hedges) and he will be recognized.

So, now it comes down to Fences, Hidden Figures and Moonlight.  Any one of these could easily be rewarded for a number of reasons. I feel like I’m blindly throwing at a dartboard here, but I’m going with Moonlight. *fingers crossed*

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture

Captain America: Civil War

Doctor Strange

Hacksaw Ridge *

Jason Bourne

Nocturnal Animals

Throwing another dart at the board, I’m going with Hacksaw Ridge, another film up for a Best Picture Oscar (the only movie in this category that is) and it’s a war movie. Hollywood loves a good war picture almost as much as they do movies about the movie business. Eh, but what do I know? Doctor Strange has a pretty good pedigree as well. (Who doesn’t love Benedict Cumberbatch?)

TELEVISION:

Outstanding Performance by a Male Actor in a Television Movie or Miniseries

Riz Ahmed, “The Night Of”

Sterling K. Brown, “The People v. O.J. Simpson”

Bryan Cranston, “All the Way”

John Turturro, “The Night Of”

Courtney B. Vance, “The People v. O.J. Simpson” 

This is a category packed with worthy performances. I would be thrilled if either Riz Ahmed or John Turturro walked off with this for the incredible “The Night Of”, but I picked Courtney B. Vance for the Golden Globe and while he may have lost, I’m sticking with him for the SAG. He’s already won an Emmy, so it makes sense (and usually, so does the Screen Actors Guild, even if the HFPA does not).

Outstanding Performance by a Female Actor in a Television Movie or Miniseries

Bryce Dallas Howard, “Black Mirror”

Felicity Huffman, “American Crime”

Audra McDonald, “Lady Day at Emerson’s Bar and Grill”

Sarah Paulson, “The People v. O.J. Simpson” *

Kerry Washington, “Confirmation”

Well, Sarah Paulson has an Emmy and the Golden Globe so there’s no reason to think that she won’t prevail here as well. (If anyone spoils, I hope it’s Kerry Washington.)

Outstanding Performance by a Male Actor in a Drama Series

Sterling K. Brown, “This Is Us”

Peter Dinklage, “Game of Thrones”

John Lithgow, “The Crown” *

Rami Malek, “Mr. Robot”

Kevin Spacey, “House of Cards”

I adore Peter Dinklage and Tyrion Lannister just like everyone else, but I’m team #JohnLithgow all the way.  Dinklage will be back. Lithgow’s character won’t. I’m also a huge Kevin Spacey fan, but I’ve thrown in the towel on “House of Cards” (don’t hate). “The Crown” was just that good. Lithgow’s incredible transformation into Winston Churchill deserves to be rewarded.

Outstanding Performance by a Female Actor in a Drama Series

Millie Bobby Brown, “Stranger Things”

Claire Foy, “The Crown” *

Thandie Newton, “Westworld”

Winona Ryder, “Stranger Things”

Robin Wright, “House of Cards”

I went with Thandie Newton for the Golden Globe and Claire Foy bested her. Others are opting for Millie Bobby Brown, a new name on this list. I think the cast of “Stranger Things” has a good shot at the Ensemble Award, but I’m going with Claire Foy here. (And for the record, my real pick – the actress who truly gave the best performance of the year, JMHO – wasn’t even nominated. Let’s hope SAG – and the Emmys – catches up with the Golden Globes and eventually nominates Caitriona Balfe. C’mon!)

Outstanding Performance by a Male Actor in a Comedy Series

Anthony Anderson, “Black-ish”

Tituss Burgess, “Unbreakable Kimmy Schmidt”

Ty Burrell, “Modern Family”

William H. Macy, “Shameless”

Jeffrey Tambor, “Transparent”

I am not an avid comedy watcher. I used to watch “Modern Family”, but got bored a long time ago. I think William H. Macy is an extremely talented actor, but I can’t speak to his work in “Shameless” this season.  I’m going with Jeffrey Tambor, because – well – Jeffrey Tambor. Doesn’t he own this category?

Outstanding Performance by a Female Actor in a Comedy Series

Uzo Aduba, “Orange is the New Black”

Jane Fonda, “Grace and Frankie”

Ellie Kemper, “Unbreakable Kimmy Schmidt”

Julia Louis-Dreyfus, “Veep”*

Lily Tomlin, “Grace and Frankie”

If SAG does love its repeat winners, then Uzo Aduba should be a lock, but Emmy keeps awarding Julia Louis-Dreyfus and SAG overlooks her. How long will this stand?  I’m going with JLD. She gives great speeches.

Outstanding Performance by an Ensemble in a Drama Series

“The Crown”

“Downton Abbey”

“Game of Thrones” 

“Stranger Things”

“Westworld”

Oy! This is another tough one. A strong case could be made for every one of these series. “Downton Abbey” is done. They’ve won this award the last two years, will it win for its swan song? But again, “The Crown” is just that good. Will it split the “prestigious British show” vote? “Westworld” was fantastic and one of two water-cooler shows of the year. The other? “Stranger Things”, which could easily swoop in here and scoop this award.  Throwing yet another dart, I’m going with “Game of Thrones”, which, in its sixth season, had arguably its best.

Outstanding Performance by an Ensemble in a Comedy Series

“The Big Bang Theory”

“Black-ish”

“Modern Family”

“Orange is the New Black”

“Veep”

I’m running out of darts.  I’m going with “Veep” because it has been around for six years, consistently well-written and well-acted and hilarious. It could be overlooked because it hits a little too close to the bone right now, in which case repeat winner “Orange Is the New Black” could prevail again or a brand new winner, in “Black-ish”, one just as relevant, could be crowned.

Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series

“Game of Thrones” *

“Marvel’s Daredevil”

“Marvel’s Luke Cage”

“The Walking Dead”

“Westworld”

The shows on this list (and if you’ll notice none are comedies – are there ever comedies on this list?) owe a great deal to their stunt teams, but in my opinion, none more so than “Game of Thrones”. You did see “Battle of the Bastards”, right?

So there you have it, my picks for the 2017 Screen Actors Guild Awards. I’ll post an update on the JMHO Facebook page with my percentage.  See you next month for the Academy Awards!

Edited to include actual winners. My picks in yellow. Winners in red. (If by some miracle they’re the same, I’ve indicated with a red *)

Golden Globe Predictions 2017

golden globes, awards, awards shows, predictions, S. A. Young

I’m blowing the dust off of this blog with a quickie Golden Globes prediction post.

Here are my (semi-eductated) guesses, which will probably change by the time the Academy Awards roll around, especially since nominations haven’t even been announced yet, and the Golden Globes are not necessarily Oscar harbingers. The one thing that the Hollywood Foreign Press Association does oh so right, is divide the Best Picture and Best Actor/Actress categories into Drama and Musical/Comedy. This just makes sense to me. Why wouldn’t you compare apples to apples, oranges to oranges, etc?

But then, quizzically, they lump all of the directors, writers and supporting actors/actresses in their respective fields together. So essentially that’s just as head scratching as the Oscars. There are ten “Best Picture” nominees with only five nominated directors and five nominated writers. If there is logic to this, I have not been able to find any evidence of it. The internet, so chock full of experts and theorists, has let me down on the subject. If I live to be a thousand, I may, someday, be able to puzzle it out.

Oh well, as usual, I digress. I did say this was to be a “quickie” post, after all. Here are my picks, with categories in no particular order:

manchester by the sea, casey affleck, michelle williams, golden globes, S. A. Young

Best Picture-Drama

Manchester By the Sea

La La Land, Emma Stone, Ryan Gosling, Golden Globes, predictions, S. A. Young

Best Picture – Comedy or Musical

La La Land

Best Actor – Drama

Casey Affleck – Manchester By the Sea

Best Actor – Miusical or Comedy

Ryan Reynolds – Deadpool ( It’s the battle of the Ryans. I’m going with Reynolds by hair. call me crazy but Deadpool did HUGE money overseas)

Best Actress – Drama

Natalie Portman – Jackie (because Natalie Portman)

Best Actress – Musical or Comedy

Emma Stone – La La Land

Moonlight, golden globes, mahershala ali, predictions, S. A. Young

Best Supporting Actor

Mahershala Ali – Moonlight

Best Supporting Actress

Viola Davis – Fences

Best Director

Kenneth Lonergan – Manchester By the Sea (this is a race between Lonergan and Damian Chazelle and I think HFPA will want to reward an older, first time {directing} nominee. It’s a tough category and any one of the nominees – Lonergan, Chazelle, Gibson, Jenkins, or Ford could pull off a win)

Best Screenplay – Motion Picture

Barry Jenkins – Moonlight (This will be the category where the amazing Moonlight is rewarded)

Zootopia, golden globes, predictions, S. A. Young

Best Animated Feature

Zootopia (though I adored Sing)

Best Foreign Language Film

Elle (Isabelle Huppert won’t win for her performance so I think the HFPA will reward her film)

Best Original Score – Motion Picture

La La Land

Best Original Song – Motion Picture

“City of Stars” from La La Land (Everyone I saw this movie with left the theater either humming or singing this catchy tune – although this is tricky. Justin Timberlake could steal for “Can’t Stop the Feeling” from Trolls. It was a radio hit worldwide.)

The Crown, golden globes, predictions, S. A. Young

Best Television Series – Drama

“The Crown”

atlanta, donald glover, predictions, S. A. Young

Best Television Series – Musical or Comedy

“Atlanta”

Best Actor – Television – Drama

Billy Bob Thornton – “Goliath”

Best Actress – Television – Drama

Caitriona Balfe – “Outlander” (if anyone beats her it will be Claire Foy for “The Crown”, but I live in hope)

the people vs oj simpson, american crime story, golden globes, predictions, S. A. Young

Best Television Limited Series or Motion Picture Made for Television

“The People v. O.J. Simpson: American Crime Story”

Best Performance by an Actress in a Limited Series or a Motion Picture Made for Television

Sarah Paulson – “The People v. O.J. Simpson: American Crime Story”

Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television

Courtney B. Vance – “The People v. O.J. Simpson: American Crime Story” (another tough category but I think the OJ:Crime Juggernaut will win out)

insecure, issa rae, golden globes, predictions, S. A. young

Best Performance by an Actress in a Television Series – Musical or Comedy

Issa Rae – “Insecure”

Best Performance by an Actor in a Television Series – Musical or Comedy

Donald Glover – “Atlanta”

Westworld, Thandie newton, golden globes, awards, awards shows, predictions, S. A. Young

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Thandie Newton – “Westworld”

Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture MBest ade for Television

John Lithgow – “The Crown”

Immortality, Baby!

“Marky Mark” Wahlberg has been nominated for a Golden Globe for Best Actor-Drama. I can’t even believe I just typed that sentence. (Actually, I was going to wait to do this post until next month when the Academy Award nominations are announced. At this point, I predict he’ll be nominated for one of those, too. Recent developments, however, have led me to believe the time is right.)

While I am very happy for this former Calvin Klein Underwear model and erstwhile rapper, and I actually believe that his role as Micky Ward is the role of a life-time and he did a fantastic job, my first thought was not about him at all. My first thought was:

Gerard Butler, you’d better get your shit together.

There is absolutely no reason that an actor of Gerard Butler’s caliber, name recognition and popularity, should not be offered the same types of roles that I see other actors, with less of those things, getting all the time.

I don’t mean to take anything away from Mr. Walhberg, that’s not my point. I say again that I loved The Fighter and he was fantastic in it. My point is that he fought for that role. He knew what it could do for him and what he could bring to it. He believed in his abilities as an actor and as a producer he worked for many years to get the movie made. He watched the lead yo-yo away from and back to him several times, but he wanted it and in the end he made sure he got it. And with that performance, Mark Wahlberg has finally gotten what he’s said he really wanted, respect as an actor.

This is what I expect from Gerard Butler. This is what I want for Gerard Butler.

He’s on the right track. He’s acquired a production company with his longtime manager, Alan Siegel, and he’s acted as producer on two films so far, 2009’s Law Abiding Citizen, and 2011’s Machine Gun Preacher.

I’m on the record as having enjoyed LAC and any reader of this blog knows just how biased I am about Mr. Butler, but I have to say that however the film was received by critics, it was an important step in his education. I’m sure the learning experience G had while making that movie was both immeasurable and priceless. (Although, it must be said that the movie did make some money.)

I am of the opinion that his next foray into production, Machine Gun Preacher, would not have gotten made if he hadn’t been attached as an actor, and also if his production company hadn’t gotten involved as well. Now, I have not seen this film yet, but by all accounts it has a great deal more gravitas than most of his other post-300 projects combined. And frankly, that’s what he needs: Gravitas. Or at least he needs to be perceived as someone who possesses this quality.

The film that could give him this in spades, if it is successful, looks to be the next one out of the gate. There had been reports that Ralph Fiennes directorial debut, Coriolanus, will open in some European cities as early as February of 2011. There have already been screenings in London and the word that is leaking out about G is very positive. (In a bit of theatrical serendipity, both Fiennes and Butler have appeared on stage in the play. In fact, it was G’s first professional gig as an actor.) Indeed, just this morning it was announced that Coriolanus will screen at the prestigious Berlinale in early February. (There is some discrepancy as to whether it will show in or out of competition. I’ve seen conflicting reports on this point.) Regardless, this is a very good thing. The Berlin fest is among the world’s top four, in my opinion, (along with Cannes, Toronto and Venice) and it means the world is eagerly awaiting Fiennes’ first directorial effort.

Fiennes is an actor who has gravitas coming out of his ears. Even his years playing a Harry Potter villain have somehow only managed to increase it and one would never associate Ralph Fiennes with a bad rom-com with a high powered co-star desperate for a hit…errr…okay, make that SHOULD never. At least he learned his lesson and stopped at one. Besides, The End of the Affair excuses a multitude of sins. As usual, I digress. The point is that Ralph Fiennes hand-picked Gerard Butler (whose name incidentally helped get the film financed) to play Coriolanus’ antagonist Tullus Aufidius, opposite him.

It will not matter what the general public thinks about this film, especially since most will probably have a hard time finding a movie like this and will have to make the concerted effort to seek it out via “On Demand” and dvd. If critics and industry insiders like and admire this movie, it will go a long way to reshaping Butler’s career path.

The point of this post is that I still see great potential in this man. He doesn’t need to coast on being, for example, ‘the poor man’s Russell Crowe.’ Russell Crowe is a great actor and no matter what else anyone thinks of him with reference to matters not film related, he has achieved a certain status for it. He gets the good scripts and works with the best directors and has projects lined up for at least the next five years. Physically, he may not be in Gladiator form and probably won’t be again, but it doesn’t seem to be important to him (or his career.) He’s still acting and turning in fantastic performances. He’s certainly not resting on the laurels that he earned in that film.

While the gossip rags may taunt him forever about not maintaining his Leonidas physique, it’s time for G to stop resting on the kudos he got for “300.” More importantly, he needs to stop coasting on Dear Frankie, the movie that most of Hollywood thinks of as the one that proved he could actually act, even though very little of the ticket buying public has seen it.

He needs to decide whether he wants to be an actor or a movie star. (I’m sure the latter is much more fun.) I may have gotten this totally wrong, but when I first discovered this guy, I was under the impression that the work mattered to him. Listen to him talk about a role he’s passionate about and you’ll probably feel the same way. Watch “Wrath of Gods,” a documentary about the making of 2005’s Beowulf & Grendel (bit of trivia: WOG is actually the 1st film on which he’s listed as producer, but not with his shingle, Evil Twins) and listen to him talk about that film, including characterization and the movie-making process. Has that artistic fire burned out completely in the intervening five years? (We won’t discuss where the accent has gone.)

Personally, I don’t think so. I don’t believe he likes being more well known for the parties he attends and the models he’s allegedly keeping company with. He’s just living his life, grabbing all the gusto he can. Hell, if I woke up every morning and looked at that face in the mirror and had the readies he has access to, I’d be doing the same thing. (He’s also, in my humble opinion, trying to stave off the march of time, probably for a lot of reasons.)

As an avowed fan of Gerard Butler, I realize my credibility when discussing this subject is already in question. All I can do is assure you, gentle reader, that I do not view this man through any variation of rose-tinted glasses, (although I’d like to view him through those Marc Jacobs shades he frequently sports. For some reason I really like those.) He is not on a pedestal of my making and I am not of the opinion he can do no wrong.

It drives me absolutely batshit when I read the delusional ramblings of women who see him as perfect, simply because he is beautiful, and verbally spew their virtual wailing and keening and rending of clothes across the internet because of the bad rap his acting and his antics have gotten lately. He’s a grown man, he can and will do what he wants regardless of what I think and I’m pretty sure his ‘soul’ will survive if the self-appointed guardians stopped guarding it. (He is not now, nor has he ever really been “Erik.”) That sort of behavior diminishes all of us who consider ourselves fans (with an ‘F’ not a ‘PH.’)

I say all that by way of disclaimer. The hopes I have for G are inspired by the potential I have seen and still see in him. The movie business is capricious at best. It can all change in an instant. I have touted the talents in previous posts of two of Butler’s recent co-stars, Tom Hardy and Michael Fassbender. While I grant you they are younger than G, like him they have both been toiling away at their craft for many years, and yet suddenly they are two of Hollywood’s hottest “It Boys.” Despite amazing performances in several critically acclaimed indies like “Hunger” and “Fish Tank,” it took a small role in a film like Tarantino’s “Inglourious Basterds” to catapult Fassbender into the mainstream. For Hardy, it was Christopher Nolan’s “Inception.” Wahlberg had quietly been accumulating an impressive list of credits over the course of the last fifteen years, but I believe his big moment started with “The Departed,” directed by one Martin Scorsese and continues with the words “…Award nominee.”

I’d just really like it if one of these days someone sat down and wrote the line: Gerard Butler has been nominated for a Golden Globe…or an Academy Award.

Now, that’s immortality baby!

thanks for reading…

*Click Click*

Doing the Demented Poodle Dance!!

How to Train Your Dragon has been nominated for a Golden Globe in the Best Animated Feature category!!

I won’t even say it was almost a given at this point, especially since there were FIVE slots to fill. Nope, not gonna say that, just gonna bask in the warm glow of being right…

LMAO!

Seriously, I don’t want this to sound like sour grapes, but I’m more than a little disappointed that the score was once again overlooked. I’m trying to wrap my head around it, but I’m having a difficult time. I really haven’t been this passionate about the music for a film in quite awhile. I know I’m not alone in this, but it does point up yet again that popular opinion often matters very little when it comes to awards recognition.

On another note, some of the actors I was rooting for have been nominated as well:

Jeremy Renner – Best Supporting Actor for The Town
Christian Bale – Best Supporting Actor for The Fighter
Amy Adams – Best Supporting Actress for The Fighter
Melissa Leo – Best Supporting Actress for The Fighter
Jacki Weaver – Best Supporting Actress for Animal Kingdom*
Natalie Portman – Best Actress for Black Swan
Mark Wahlberg – Best Actor for The Fighter

Complete list of nominations here:

Best Supporting Actress in a Series, Mini-Series or TV Movie

Hope Davis – The Special Relationship
Jane Lynch – Glee
Kelly McDonald – Boardwalk Empire
Julia Stiles – Dexter
Sofia Vergara – Modern Family

Best Actress in a TV Series, Comedy

Toni Collette – Unites States of Tara
Edie Falco – Nurse Jackie
Tina Fey – 30 Rock
Laura Linney – The Bic C
Lea Michele – Glee

Best TV Movie or Mini-Series

Carlos
The Pacific
Pillars of the Earth
Temple Grandin
You Don’t Know Jack

Best Original Song – Motion Picture

Bound to You – Burlesque
Coming Home – Country Strong
I See the Light – Tangled
There’s a Place for Us – Chronicles of Narnia: The Dawn Treader
You Haven’t Seen the Last of Me – Burlesque

Best Actor, TV Series Comedy

Alec Baldwin – 30 Rock
Steve Carrell – The Office
Thomas Jane – Hung
Matthew Morrison – Glee
Jim Parsons – The Big Bang Theory

Best Actress in a TV Series, Drama

Julianna Margulies – The Good Wife
Elizabeth Moss – Mad Men
Piper Perabo – Covert Affairs
Katey Sagal – Sons of Anarchy##
Kyra Sedgwick – The Closer

Best Original Score – Motion Picture

Alexander Desplat – The King’s Speech
Danny Elfman – Alice in Wonderalnd
A.R. Robin – 127 Hours
Trent Reznor – The Social Network
Hans Zimmer – Inception

Best Screenplay – Motion Picture

Danny Boyle – 127 Hours
Lisa Cholodenko and Stuart Hart – The Kids are All Right
Christopher Nolan – Inception
David Seidler – Kings Speech
Aaron Sorkin – Social Netowrk

Best Supporting Actor in a Series, Mini-Series, or TV Movie

Scott Caan – Hawaii 5-0
Chris Colfer – Glee
Chris Noth – The Good Wife
Eric Stonestreet – Modern Family
David Strathairn – Temple Grandin

Best TV Series, Comedy

30 Rock
The Big Bang Theory
The Big C
Glee
Modern Family
Nurse Jackie

Best Foreign Language Film

Biutiful – Mexico, Spain
The Concert – France
The Edge – Russia
I Am Love – Italy
In a Better World – Denmark

Best Animated Feature Film

Despicable Me
How to Train Your Dragon
The Illusionist
Tangled
Toy Story 3

Best Actor in a Mini-Series or TV Movie

Idris Elba – Luther**
Ian McShane – Pillars of the Earth
Al Pacino – You Don’t Know Jack
Dennis Quaid – The Special Relationship###
Edgar Ramirez – Carlos**

Best Actress in a Mini-Series or TV Movie

Hayley Atwell – Pillars of the Earth
Claire Danes – Temple Grandin
Judi Dench – Return to Cranford
Romola Garai – Emma
Jennifer Love Hewitt – The Client List

Best Actress in a Motion Picture, Musical or Comedy

Annette Bening – The Kids Are All Right
Anne Hathaway – Love and Other Drugs
Angelina Jolie – The Tourist
Julianne Moore – The Kids Are All Right
Emma Stone Easy A

Best Actor in a Motion Picture, Musical or Comedy

Johnny Depp – Alice in Wonderland
Johnny Depp – The Tourist***
Paul Giamatti- Barney’s Version
Jake Gyllenhaal – Love and Other Drugs
Kevin Spacey – Casino Jack

Best Supporting Actor in a Motion Picture

Andrew Garfield – The Social Network
Christian Bale – The Fighter
Michael Douglas – Wall Street, Money Never Sleeps
Jeremy Renner – The Town
Geoffrey Rush – The King’s Speech

Best Supporting Actress in a Motion Picture

Amy Adams – The Fighter
Helena Bonham Carter – The King’s Speech
Mila Kunis – Black Swan
Melissa Leo – The Fighter
Jackie Weaver – Animal Kingdom

Best Actor in a TV series, Drama

Steve Buscemi – Boardwalk Empire
Bryan Cranston – Breaking Bad
Michael C. Hall – Dexter
John Hamm – Mad Men
Hugh Laurie – House

Best Director – Motion Picture

Darren Aronofsky – Black Swan
David Fincher – Social Network
Tom Hooper – King’s Speech
Christopher Nolan – Inception
David – The Fighter

Best motion picture, Musical or Comedy

Alice in Wonderland
Burlesque
The Kids Are All Right
Red
The Tourist

Best TV series, Drama

Boardwalk Empire
Dexter
The Good Wife
Mad Men
The Walking Dead

Best Actress in a Motion Picture, Drama

Halle Berry – Frankie and Alice
Nicole Kidman – Rabbit Hole
Jennifer Lawrence – Winter’s Bone
Natalie Portman – Black Swan
Michelle Williams – Blue Valentine

Best Actor in a motion picture, Drama

Jesse Eisenberg – Social Network
Colin Firth – The King’s Speech
James Franco – 127 Hours
Ryan Gosling – Blue Valentine
Mark Wahlberg – The Fighter

Best motion picture, Drama

Black Swan
The Fighter
Inception
The King’s Speech
The Social Network

(via the Hollywood Reporter although I spell better than they do)

*When this comes out on dvd and I can see it again, I’ll do a post. I need to talk about this one!
**Holy Crap! Love that Idris Elba and Edgar Ramirez have been recognized! Long time fan of both actors
## It’s about fucking time! That is all
### No Michael Sheen?!?! WTF?!?!
***Mark Ruffalo was overlooked for The Kids Are Alright so that Johnny Depp could be nominated twice? And the 2nd for a movie that’s been trashed by critics? Hmmm…

Another post dissecting these nominations and with my picks will surely follow (because I can’t keep quiet about this stuff.)

Today’s reward: a flashback to January 2010…


*clicky clicky

My Daily Moment of Zen + A Rant

Okay so the How To Train Your Dragon awards parade rolls on with a nomination for a Critics Choice Award in the Best-Animated Feature category.

I don’t mean to sound blase, especially since I’ve been pushing for this since April, but at this point it is hardly surprising.  What is surprising is that other than the "Annies," I’ve not seen any mention of John Powell’s beautiful, uplifting and majestic score.  What’s up with that? As I’ve mentioned in an earlier post, he’s got the respect of his peers in the industry, with the awards to back it up. He’s won Annies and Baftas and ASCAPs, oh my! So where’s the love?

Certainly there are films that I have yet to see that are bigger blips on the Oscar radar and some probably have beautiful scores, but I personlly haven’t seen another movie yet this year (and I have seen 6 of the 2010 AFI top ten as of this writing,) that can top the score for How to Train Your Dragon.

Also, notably absent from the list was a nomination for original song for "Sticks and Bones."  I guess Jonsi’s promo appearances were for naught and he’s still not as well known as Mandy Moore. Well, the Critics Choice Awards do tend to play it safe. Consequently no nomination.

Okay, rant over for the day. It’s STILL only December!

Here ya go my beauties… My Daily Moment of Zen…

It Begins!

The International Press Academy, which is apparently the Hollywood Foreign Press Association’s lesser-known cousin, (from Wikipedia: "a large and diverse association of professional entertainment journalists, representing both domestic and foreign markets in print, television, radio, cable and new media outlets.") has nominated "How to Train Your Dragon" for a Satellite Award in the Best Animated Feature category!

While the Satellite’s may not be as well known as the Golden Globes, this is the 15th year that they’ve been presented and you’ve got to start somewhere!

press release found here:  www.pressacad…ionsRelease.pdf

As always, your reward for reading…

*clicky clicky*