My Daily Moment of Zen! Now with More Gloating!

Okay, I’m suffering from my annual post Oscar Night let down, BUT the fact that I "outguessed" a lot of the so-called professionals has eased the pain a bit.

I improved my average from the BAFTAS from 65% to 67%, which means I got 16 of 24 categories right. I didn’t even hazard a guess for the three "shorts" categories, so if I delete them, my average improves further to greater than 76% (16 of 21)  – Sorry my OCD is showing.  I realize this matters to no one else but me, but one takes one’s little victories where one may.

So, I’ve decided it would be easier to discuss where I went wrong (even though I’m very happy to say that I got Tom Hooper right!)

I was absolutely gutted, but not altogether surprised, that John Powell and How to Train Your Dragon did not win for Best Original Score. I was thrilled that it was nominated, and it was, of course, my favorite score, as I’ve loudly proclaimed from this blog and elsewhere for nearly a year now. I’ve also made clear that I could have lived with Alexandre Desplat’s score for The King’s Speech beating HTTYD. I cannot, however, understand the love for the music from The Social Network. I should have seen its Golden Globe win as a portent of things to come, but I naively believed that quality would win over the Academy’s newfound desire to be perceived as "hip".  Perhaps there is a contingent of completist Nine Inch Nails fans that will download Trent Reznor and Atticus Ross’ neo-emo soundtrack, but I don’t believe they’ll still be listening to it a month from now, let alone long enough for it to deserve to go into the annals of AMPAS.  It remains to be seen whether or not either Reznor or Ross continues to supply the world with beautiful movie music. I think it is a given that Powell, Desplat, Zimmer and even Rahman will do so.

I was a little surprised, although I can’t say I was disappointed, that David Seidler’s original screenplay for The King’s Speech won out over Christopher Nolan’s for Inception. Seidler had the momentum going into last night’s ceremony and there is no doubt that it was a great piece of writing, but I really did think that the Academy would give it to Nolan because 1. His script was original in every sense of the word and 2. to atone for his egregious snub in the Director’s category.  No one thought Inception, despite its merits, would win Best Picture.  Despite the fact that the film won other, richly deserved awards, The Best Original Screenplay category would have been a great way to recognize Nolan. 

For Best Costume Design, I went with The King’s Speech, but was not shocked nor particularly disappointed that the Academy went for all-out fantasy and Alice in Wonderland took the award. That film was all about the visuals, particularly the costumes, which were spectacular, even if the rest of the film was not. It made sense.

I flat out guessed on my pick for Best Foreign Language Film. I went with Biutiful because both the director, Alejandro Gonzales-Inarritu and its star, Javier Bardem, are known to the Academy and its voters. Bardem was even nominated for Best Actor for this film.  Again, I should have paid more attention to the bellwethers of the Hollywood Foreign Press and expected Denmark’s win for In a Better World.

I really thought it was "too soon" for Inside Job to win for Best Documentary Feature.  I was wrong. Its win will ensure that more people see it, which is not a bad thing, although I would have liked for Restrepo to have gotten that kick.

So, those are the five that I got wrong.  My other misses, as I said, were for the three "shorts" – Documentary,  Animated and Live Action- which I didn’t even guess at. (Although if I had, I would have gotten Animated wrong because I’d have gone with Day & Night, but I’d have gotten Live-Action right because I’d have picked God of Love -honest!)

So it’s all over for another 10 months when the madness begins anew. It was a good night for Harvey and The Weinstein Company, and I fully expect to see him back in his seat at the Kodak this time next year in support of another ‘little-film-that-could’…

As always, thanks for reading. Oh and I’ve got TREATS!!


And the bromance continues…


*clicky clicky*

 

edit: (and I stated this elsewhere but felt the need to amend this post) Adding to my surprise (and disappointment) that Gerard Butler wasn’t at the Academy Awards, was my disappointment in the lack of support for How to Train Your Dragon. Is it every day he’s involved with an Academy Award nominated film of any kind?? I realize it was just about a foregone conclusion that Toy Story 3 would win the category, but I don’t think that excuses the complete lack of a showing for HTTYD, (by anyone involved – they ARE doing a sequel- would it have been that difficult for say G and Craig Ferguson, possibly even Jay Baruchel, to show their faces?) especially when it swept the Annies and John Powell’s score had just been named Score of the Year. The appearance of hope would have been nice. The 9 other films nominated for Best Picture, who had to have been at least 75% sure that The King’s Speech would win, still had strong turnouts.

Rant over.

Obsessive BAFTA results post w/PICTURES!!

I did pretty well. 13 out of 20 which is 65%.

I stumbled where I have been stumbling this entire awards season. In the Supporting Actor category, if I go with Bale then Rush wins, if I go with Rush, Bale wins. I’m sticking with Bale for the Academy Awards though. (Get your acceptance speech ready Mr. Rush.)

In the Supporting Actress category, my reasoning was sound but I picked the wrong Englishwoman! What was I thinking lol.

And in the directing category, the one time I figured I’d be right about Tom Hooper, David Fincher wins! Who’d a thunk that one, especially after the rout enjoyed by The King’s Speech overall? I think it was a stab at not appearing to be biased. I know the Oscar ballots aren’t due until Friday, but I’m sticking with Hooper after his DGA win. I also have to stick with Christopher Nolan for Original Screenplay despite his BAFTA loss to David Seidler for The King’s Speech.

Can I just say how very disappointed I am that HTTYD did not win in the Music category? I’ve said from the beginning how much I enjoyed Alexandre Desplat’s score for The King’s Speech, but JMHO, there was not another score last year that made me feel like John Powell’s gorgeous, sweeping, transporting score for How to Train Your Dragon.

Oh and just to make myself feel better, even though I called Roger Deakins right at the BAFTAs (because he’s British,) Wally Pfister beat him for the ASC award and I want to reiterate that I am choosing Pfister over Deakins for the Oscar.

Here are the nominees and the results (my predictions are in red, the winner in italics):

BEST FILM

BLACK SWAN – Mike Medavoy, Brian Oliver, Scott Franklin
INCEPTION – Emma Thomas, Christopher Nolan
THE KING’S SPEECH – Iain Canning, Emile Sherman, Gareth Unwin
THE SOCIAL NETWORK – Scott Rudin, Dana Brunetti, Michael De Luca, Cean Chaffin
TRUE GRIT – Scott Rudin, Ethan Coen, Joel Coen

OUTSTANDING BRITISH FILM

127 HOURS – Danny Boyle, Simon Beaufoy, Christian Colson, John Smithson
ANOTHER YEAR – Mike Leigh, Georgina Lowe
FOUR LIONS – Chris Morris, Jesse Armstrong, Sam Bain, Mark Herbert, Derrin Schlesinger
THE KING’S SPEECH – Tom Hooper, David Seidler, Iain Canning, Emile Sherman, Gareth Unwin
MADE IN DAGENHAM – Nigel Cole, William Ivory, Elizabeth Karlsen, Stephen Woolley

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER

THE ARBOR – Director, Producer – Clio Barnard, Tracy O’Riordan
EXIT THROUGH THE GIFT SHOP – Director, Producer – Banksy, Jaimie D’Cruz
FOUR LIONS – Director/Writer – Chris Morris
MONSTERS – Director/Writer – Gareth Edwards
SKELETONS – Director/Writer – Nick Whitfield

DIRECTOR

127 HOURS – Danny Boyle
BLACK SWAN – Darren Aronofsky
INCEPTION – Christopher Nolan
THE KING’S SPEECH – Tom Hooper
THE SOCIAL NETWORK – David Fincher

ORIGINAL SCREENPLAY

BLACK SWAN – Mark Heyman, Andreas Heinz, John McLaughlin
THE FIGHTER – Scott Silver, Paul Tamasy, Eric Johnson
INCEPTION – Christopher Nolan
THE KIDS ARE ALL RIGHT – Lisa Cholodenko, Stuart Blumberg
THE KING’S SPEECH – David Seidler

ADAPTED SCREENPLAY

127 HOURS – Danny Boyle, Simon Beaufoy
THE GIRL WITH THE DRAGON TATTOO – Rasmus Heisterberg, Nikolaj Arcel
THE SOCIAL NETWORK – Aaron Sorkin
TOY STORY 3 – Michael Arndt
TRUE GRIT – Joel Coen, Ethan Coen

FILM NOT IN THE ENGLISH LANGUAGE

BIUTIFUL – Alejandro Gonzalez Inarritu, Jon Kilik, Fernando Bovaira
THE GIRL WITH THE DRAGON TATTOO – Soren Stærmose, Niels Arden Oplev
I AM LOVE – Luca Guadagnino, Francesco Melzi D’Eril, Marco Morabito, Massimiliano Violante
OF GODS AND MEN – Xavier Beauvois
THE SECRET IN THEIR EYES – Mariela Besuievsky, Juan José Campanella

ANIMATED FILM

DESPICABLE ME – Chris Renaud, Pierre Coffin
HOW TO TRAIN YOUR DRAGON – Chris Sanders, Dean DeBlois * although we know this is where my heart lies
TOY STORY 3 – Lee Unkrich

LEADING ACTOR

JAVIER BARDEM – Biutiful
JEFF BRIDGES – True Grit
JESSE EISENBERG – The Social Network
COLIN FIRTH – The King’s Speech
JAMES FRANCO – 127 Hours

LEADING ACTRESS

ANNETTE BENING – The Kids Are All Right
JULIANNE MOORE – The Kids Are All Right
NATALIE PORTMAN – Black Swan
NOOMI RAPACE – The Girl with the Dragon Tattoo
HAILEE STEINFELD – True Grit

SUPPORTING ACTOR

CHRISTIAN BALE – The Fighter
ANDREW GARFIELD – The Social Network
PETE POSTLETHWAITE – The Town
MARK RUFFALO – The Kids Are All Right
GEOFFREY RUSH – The King’s Speech

SUPPORTING ACTRESS

AMY ADAMS – The Fighter
HELENA BONHAM CARTER – The King’s Speech
BARBARA HERSHEY – Black Swan
LESLEY MANVILLE – Another Year (because she’s British and they gave her Melissa Leo’s spot)
MIRANDA RICHARDSON – Made in Dagenham

ORIGINAL MUSIC

127 HOURS – AR Rahman
ALICE IN WONDERLAND – Danny Elfman
HOW TO TRAIN YOUR DRAGON – John Powell COME ON!
INCEPTION – Hans Zimmer
THE KING’S SPEECH – Alexandre Desplat

CINEMATOGRAPHY

127 HOURS – Anthony Dod Mantle, Enrique Chediak
BLACK SWAN – Matthew Libatique
INCEPTION – Wally Pfister
THE KING’S SPEECH – Danny Cohen
TRUE GRIT – Roger Deakins

EDITING

127 HOURS – Jon Harris
BLACK SWAN – Andrew Weisblum
INCEPTION – Lee Smith
THE KING’S SPEECH – Tariq Anwar
THE SOCIAL NETWORK – Angus Wall, Kirk Baxter

PRODUCTION DESIGN

ALICE IN WONDERLAND – Robert Stromberg, Karen O’Hara
BLACK SWAN – Therese DePrez, Tora Peterson
INCEPTION – Guy Hendrix Dyas, Larry Dias, Doug Mowat
THE KING’S SPEECH – Eve Stewart, Judy Farr
TRUE GRIT – Jess Gonchor, Nancy Haigh

COSTUME DESIGN

ALICE IN WONDERLAND – Colleen Atwood
BLACK SWAN – Amy Westcott
THE KING’S SPEECH – Jenny Beavan
MADE IN DAGENHAM – Louise Stjernsward
TRUE GRIT – Mary Zophres

SOUND

127 HOURS – Glenn Freemantle, Ian Tapp, Richard Pryke, Steven C Laneri, Douglas Cameron
BLACK SWAN – Ken Ishii, Craig Henighan, Dominick Tavella
INCEPTION – Richard King, Lora Hirschberg, Gary A Rizzo, Ed Novick
THE KING’S SPEECH – John Midgley, Lee Walpole, Paul Hamblin
TRUE GRIT – Skip Lievsay, Craig Berkey, Greg Orloff, Peter F Kurland, Douglas Axtell

SPECIAL VISUAL EFFECTS

ALICE IN WONDERLAND – Nominees TBD
BLACK SWAN – Dan Schrecker
HARRY POTTER AND THE DEATHLY HALLOWS PART 1 – Tim Burke, John Richardson, Nicolas Ait’Hadi, Christian Manz
INCEPTION – Chris Corbould, Paul Franklin, Andrew Lockley, Peter Bebb
TOY STORY 3 – Nominees TBC

MAKE UP & HAIR

ALICE IN WONDERLAND – Valli O’Reilly, Paul Gooch
BLACK SWAN – Judy Chin, Geordie Sheffer
HARRY POTTER AND THE DEATHLY HALLOWS PART 1 – Amanda Knight, Lisa Tomblin
THE KING’S SPEECH – Frances Hannon
MADE IN DAGENHAM – Lizzie Yianni Georgiou

ORANGE WEDNESDAYS RISING AWARD

GEMMA ARTERTON
ANDREW GARFIELD
TOM HARDY (WOOHOO!)
AARON JOHNSON
EMMA STONE

A pretty good night for The Weinstein Company. Harvey got nearly as many shout-outs as Tom Hooper and Colin Firth.

Okay so now that that’s over, I did promise you some pictures. How about some pics from last night of one of Harvey’s 2012 awards season class*?


*for Coriolanus of course!