Watch Ben Barnes in 1st Trailer for Boston Crime Thriller, By the Gun

By the Gun, movie, poster, Ben Barnes, Leighton Meester, Boston, crime drama

So it looks like Ben Barnes, he of Dorian Grey and Prince Caspian fame, and Leighton Meester (of “Gossip Girl” fame) came to Boston last winter to make a movie. As if that pairing wasn’t high enough on the “improbable meter”, then how about we add Harvey Keitel and Toby Jones, who are both along for the ride. Wait…what?

Yes, it’s yet another Boston crime thriller about a guy who longs to be a “made man”. Of course, as soon as that box is ticked on the old bucket list, he meets the girl of his dreams and then wants out of the life.

By the Gun (original title God Only Knows) is written by Emilio Mauro (who is no Dennis Lehane, nor even Chuck Hogan, though he would seem to have borrowed tropes from both – among many others). Speaking of Hogan, director James Mottern is no Ben Affleck (who directed The Town based on Hogan’s book). Mottern did, however, make a pretty good directorial debut with Trucker back in 2008. (Didn’t see it? You’re certainly not alone, which is a shame. It gave Michelle Monaghan the role of her life.) He hasn’t directed anything since, but Trucker gives him the benefit of the doubt. (Provided he isn’t responsible for Meester’s casting.)

Nick Tortano (Barnes) is a smooth-talking, ambitious criminal from the streets of Boston. After years spent working for and idolizing the Italian gangsters he finally proves himself to the boss and becomes a made man. However, once inside, Nick conflicts with a moneymaker for the Mafia and begins to drive a wedge between him and the Boss.

Take a look at this first trailer:

I don’t think Mottern and Mauro are tilling any new ground here, but I’m a sucker for the genre and it’s set in my city, so there’s one ticket sold.

By the Gun also stars, Paul Ben-Victor, Slaine (Yes! A Lehane AND Affleck connection – Ben discovered Slaine for Gone Baby Gone. He is becoming the face of Southie.), and other assorted faces you’ve seen in a lot of wise-guy flicks, like Richie Coster, Michael Yebba, Jay Giannone (Gone Baby Gone, The Iceman and the upcoming Black Mass), and Damien DiPaola, plus former New England Patriots linebacker Tully Banta Cain making his film debut, and Kenny Footloose” Wormald. (Hey at least he was born in Boston. Maybe he helped with the accents.) Millennium Entertainment will give the film a limited theatrical and same-day VoD release on December 5. Wild horses couldn’t keep me away from this. Maybe I’ll go hang out at the red carpet premiere* on December 1 and totally fan-girl out!

*Actually, if anyone reading this is in the Boston area, tickets to the premiere and after-party can be had and the proceeds go to charity. Details here.

#TomHardy “Keeping It Real” For #DennisLehane, #MichaëlRoskam in #TheDrop BTS Featurette

 

The Drop, Tom Hardy, movie, photo, puppy, Dennis Lehane, Michael Roskam

Is there anything cuter than Tom Hardy and a puppy? The answer is no…no, there is not.

Belgian director Michaël Roskam‘s first English-language feature, The Drop, with Tom Hardy, Noomi Rapace and featuring the late James Gandolfini‘s final screen performance, “drops” in less than two weeks.

The film, in which a man called Bob Saginowski (Hardy) finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood’s past where friends, families, and foes all work together to make a living – no matter the cost, and one I’ve been talking about for some time (if you’re not a fan of any of the above, sorry, but there’s more to come) was made from the first ever screenplay by writer Dennis Lehane, who adapted is own short story.  He has subsequently turned the screenplay into a novel, out next Tuesday, September 2.

The screenplay itself was based on an earlier Lehane short story called “Animal Rescue,” (the original title for the film- “what was wrong with that?”, I have to ask), which originally appeared in a short story collection called “Boston Noir”, about a killing that results from a lost pit bull.

The Drop, Tom Hardy, movie, photo, puppy, Dennis Lehane, Michael Roskam

See? Told ya.

As the writer explains in the featurette below, that story was based on a book he started more than a decade ago, but shelved.   After the movie was made, he was asked to do a “novelization” of the script, an idea he hated, but found that there were things from from the original novel that didn’t make it to the story or the script plus things original to the script that were cut either from that screenplay or from the finished film, that he still wanted to explore. Add all of that together and the result was a new book, now also called, “The Drop”.

In the interest of full disclosure, I an ardent Lehane fan. He’s one of the few contemporary writers that I feel will always merit the purchase of an actual book, as opposed to the digital version.

Lehane’s work, whatever form it takes, seems to lend itself particularly well to the screen. There have already been memorable adaptations of the novels Mystic River (dir. by Clint Eastwood), Shutter Island (Martin Scorsese) and Gone Baby Gone (which put Ben Affleck on the directorial map). Once Batfleck finally finishes work for Zack Snyder‘s Superman sequel, he’ll be back behind the camera for Live By Night, another Lehane adaptation.

For his part, Lehane is also writing episodes of the final season of HBO’s “Boardwalk Empire” (JMHO, but that’s reason enough to keep watching)  as well as developing “Ness”, a prospective television project about famed bootleg-buster Eliot Ness.

(Belgian Matthias Schoenaerts, here in his third film for Roskam   is apparently a method actor. Did you catch the Brooklyn accent used throughout?)

The Drop, directed by Michaël Roskam, with Tom Hardy, Noomi Rapace, James Gandolfini, Elizabeth Rodriguez (“Orange is the New Black”), James Frecheville (Animal Kingdom) and Matthias Schoenaerts will screen at the 2014 Toronto International Film Festival on Septemer 5. It has also just been announced that the film will screen in competition at the 62nd San Sebastián Film Festival on September 26. It opens in the US on September 12 and in the UK on 14th November.

Latest tv spot:

Trailer or Spoiler: Watch the Chilling New Teaser for David Fincher’s Gone Girl

Gone Girl, movie, poster, David Fincher, Gillian Flynn, Ben Affleck, Rosamund Pike

Teaser poster for David Fincher’s Gone Girl

As promised, 20th Century Fox has delivered a brand new trailer for their upcoming mystery, Gone Girl, directed by David Fincher and starring Ben Affleck and Rosamund Pike.

Phew! The tension in this is nearly as taut as that final scene in Se7en as we wait for Brad Pitt to look in the box. Where’s Amy? What happened to her? Did Nick kill her? Is that enough to make America hate him? Why is Tyler Perry playing the lawyer? Hey, isn’t that the ‘crazy gun lady’ from The Leftovers?

So, trailer or spoiler?  You may have think that this trailer gives the game away, but as someone who’s read Gillian Flynn’s book who also knows that Flynn wrote the screenplay with a different ending to keep readers interested in the film version, and viewers from getting spoiled, I can tell you that it does not.

Sure, it looks and feels like a David Fincher film in style and tone, so if you have seen any of this films, you know that what you get before you buy your ticket and plant your butt in the seat, is not necessarily what you’re going to get when you do. And if you take away nothing else from this trailer, pay attention to those last two lines: “Ever hear the expression ‘simplest answer’s often the correct one?” “Actually I’ve never found that to be true.”

Directed by David Fincher and based upon the global bestseller by Gillian Flynn — Gone Girl unearths the secrets at the heart of a modern marriage. On the occasion of his fifth wedding anniversary, Nick Dunne (Affleck) reports that his beautiful wife, Amy (Pike), has gone missing. Under pressure from the police and a growing media frenzy, Nick’s portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife?

The film opens in the US and the UK on October 3. The supporting cast includes Scoot McNary, Neil Patrick Harris, Tyler Perry, Kim Dickens, Patrick Fugit, Carrie Coon, Missi Pyle, Sela Ward, Casey Wilson, Boyd Holbrook and David Clennon.

So, what did you think of the second full-length Gone Girl trailer? Are you in?

Trailer…No Spoiler! 1st Look at David Fincher’s Gone Girl

Ben Affleck, Gone Girl, still, movie

As I’ve noted more than once on this blog, movie trailers which deliver the intended tease without actually spoiling the whole thing are few and far between, which is why it’s worth mentioning when discussing the first full-length trailer for David Fincher’s Gone Girl.
Ben Affleck plays Nick Dunne, whose beautiful wife Amy (Rosamund Pike), has disappeared and is eventually presumed dead. Of course, the husband is the prime suspect. Take a look:

Having read the book, I can tell you that there is much more than meets the eye in this first 90 seconds of footage. I think Affleck is a good choice to play Nick. He’s a man used to coasting by on his boyish charm, and good looks. Affleck’s trademark crooked grin will serve him well.  Amy Dunne is always described as beautiful in a cultured and classic way, a description that fits Pike, in my humble opinion.
I’m not sold on the supporting cast, which we don’t really see a lot of here. I can’t imagine that I’m going to like Tyler Perry as Tanner Bolt, a small, but pivotal role, but I do think I’ll like Kim Dickens as Det. Rhonda Boney. I have no doubt that Neil Patrick Harris will kill it as Desi. Carrie Coon plays Nick’s twin sister Margo (called ‘Go). I don’t know her from anything other than the trailer for HBO’s “The Leftovers”. Coon is a NY stage actress and she must have really impressed Fincher, since ‘Go is crucial.
Speaking of Fincher, in addition to his trademark thrills, and a few chills, he’s promised that even those of us who have read the book are in for some surprises. After filming Stieg Larsson’s beloved “The Girl With the Dragon Tattoo”, he decided he’d been too slavishly devoted to the source material. With Gone Girl, and with author Gillian Flynn’s enthusiastic support, he’s supposedly deconstructed the novel and put it back together again. (He’d just about have to. So much of the book is epistolary, in the form of Amy’s diary entries. )
Trent Reznor and Atticus Ross, who scored The Girl With the Dragon Tattoo, are back to do the music, and just as they did with Led Zeppelin’s “The Immigrant Song” for that trailer, they’ve provided a cover, this time of Elvis Costello’s “She” (sung by Richard Butler of The Psychedelic Furs) for Gone Girl’s first look. Perfect-JMHO.

Gone Girl, David Fincher, Rosamund Pike, Ben Affleck, magazine cover

A Few Thoughts on the Affleck Kerfuffle

Ben Affleck, Superman vs Batman, movie, casting news

courtesy imdb

Zack Snyder, director of Watchmen, Sucker Punch and of course, 300, is already hard at work on the sequel to this summer’s lucrative Superman movie, Man of Steel: Superman vs Batman.  This, by the way, is only a working title. By the time the flick hits theaters on July 17, 2015, I’m sure the producers will have come up with more memorable, something spectacular, that all the fans will love!

Again, my kingdom for a Sarcasm Font!

Regardless of what they call the next film, there will be scores of vocal fans who will hate the title.  In this matter only one thing is absolute: All of the fans will never be altogether happy about anything. Ever.

While the producers want the fans to be passionate about their projects based on much loved pop-culture icons; to look forward to the films and eagerly await the opportunity to plunk down their hard earned cash on tickets and movie tie-in memorabilia etc, they also know that they must be prepared to have every decision, every tidbit of news, met with skepticism by an army of magnifying glass-wielding nerds ready to separate the fly shit from the pepper.

This, of course, brings me to an observation about Snyder’s casting of Ben Affleck as Batman/Bruce Wayne.

By now, anyone with access to a computer, and with any interest, knows that Affleck will be donning the cowl and the cape in Snyder’s movie and everyone, it seems, has an opinion on the matter.  That said, what follows, is mine.

I rather like it when a director or writer or god forbid a studio, instead of trying to be all things to all people, goes their own way and adheres to their own “vision”, whatever that may be.  Snyder, at his core, is a fan boy. He knows the world. He walks the walk and talks the talk. He knew that he wasn’t going to make every one of the legions of Superman fans happy with the movie he was making, so he made the movie he wanted to make. Whether you loved it or you hated it, you still had to buy a ticket to see it. Obviously enough people saw it and loved it, to have spawned the sequel.

The decision to go to the next level by tackling not one but two beloved super hero icons in the same movie, was itself met with a lot of hue and cry. Once the hubbub died down, thoughts naturally turned to casting. If Henry Cavill was guaranteed to repeat as Supe, who would be Batman?

It was known that Snyder (as well as DC Comics and Warner Brothers) wanted to go “40-ish”, a little older than Superman.  A lot of names floated around all summer. Some inspired, some downright preposterous.  One name that was never in the mix was that of Ben Affleck.

Snyder gave his reasons for what, at first blush would appear to be a head-scratcher of a decsion, thusly:

“Ben provides an interesting counter-balance to Henry’s Superman. He has the acting chops to create a layered portrayal of a man who is older and wiser than Clark Kent and bears the scars of a seasoned crime fighter, but retain the charm that the world sees in billionaire Bruce Wayne. I can’t wait to work with him.”

Personally, I don’t see what the big deal is.

One, the role of Batman will likely be, if not a cameo, at most a supporting role in Henry Cavill’s Superman movie. Affleck will not be carrying the movie by any stretch, not to mention they’ll both be surrounded by the A-list likes of a returning Amy Adams, Laurence Fishburne and Diane Lane.

Second, I happen to like Ben Affleck. I’m on record with my opinion that he’s a better director than he is an actor (and his casting as Batman renews speculation that he will direct the Justice League movie), but I also think his thespian skills are wildly underrated.   Frankly, given the dark tone of Snyder’s first Superman movie and having seen Affleck in Hollywoodland, a movie for which I have long sung the praises, he could have pulled off The Big Blue Boy Scout (and watch him do pull-ups in The Town. He’s nearly as ripped as Cavill under that nice-guy exterior).  He’s not going to embarrass anyone, so lighten up.

Third, I don’t think any known actor would have satisfied the masses other than Christian Bale and that just wasn’t going to happen.  Bale’s Dark Knight was iconic, of that there is no doubt, but he said it over and over again. He was done. No one believed him. Maybe now they will.

I have to agree with film critic Scott Weinberg* who posited that

“The only reason Affleck seems weird is because you’ve seen him in 35 movies already. If he was younger (“newer”) it wouldn’t be an issue.  …If it’s a nobody, we’re all psyched, but if it’s someone we know, we’re all furious. Every time!”

He has a point. We lived in a web-less world  way back in 1988 (yes I know the movie came out in 1989), so news traveled slower and it was a bit more difficult to gauge public opinion, but do you think Michael Keaton was a popular choice for Batman?  More recently, do you think everyone was happy with the casting of Heath Ledger as The Joker?   No and no.  Even without Twitter and Facebook, the internet was aflame with Heath-hate when Christopher Nolan gave him the job. Today, people genuflect at the memory of his performance.

Back to Affleck, my biggest concern, and I know I’m not alone in this, is that his next directorial effort, Live by Night, based on another book by Boston writer Dennis Lehane, will be pushed back. (He’s already dropped Tell No One.) Again I say, Ben is a good actor, but he’s a great director and I want to see that movie more than Superman vs Batman.  But that’s Just My Humble Opinion.

Besides, I’m more concerned with who Snyder is going to cast as Lex Luthor. *wink wink*

*via Twitter

Trailer or Spoiler: Justin Timberlake Edition

Oscar Isaac, Justin Timberlake, Garrett Hedlund, Inside Llewyn Davis movie

Inside Llewyn Davis – CBS Films via imdb

I can see your furrowed brow as you read that headline. “Huh?”  Stay with me. Justin Timberlake, having grown bored with bringing his own brand of sexy back to people who didn’t know it was missing, has turned his hand to acting more than music these past few years, his new album notwithstanding.

What appeared to be a lark in a straight-to-dvd crime thriller, 2005’s Edison, continued in 2006’s Alpha Dog, earning him good notices, The Social Network in 2010, and then got real in 2011 when he top-lined Friends with Benefits and In Time (in which JT was asked to do most of the heavy lifting alongside the slight Amanda Seyfried). This year, Timberlake will appear in two films, both slated for fall release and for which there is already (very) early awards season buzz.

Runner, Runner costarring Ben Affleck, Gemma Arterton and Anthony Mackie, is currently scheduled to be released in the US on September 27. It’s a drama that centers on the world of offshore online gaming and an increasingly tense relationship between the founder of one such successful business (Affleck), and his protege (Timberlake).

Written by David Levien and Brian Koppelman, the team behind Rounders, Runaway Jury and Ocean’s 13, as well as the upcoming Untouchables sequel, Capone Rising with Tom Hardy, and produced by Leonardo DiCaprio (among others), Runner, Runner is directed by Brad Furman, best known for The Lincoln Lawyer. All of the above makes it one of fall’s hotly anticipated flicks, especially since it’s Affleck’s first since Argo. (Affleck has himself gone from punchline to bona fide auteur whose mere presence will give whatever he does from here on out a patina of respect.)

The other film has that same shine because it was written, produced and directed by Joel and Ethan Coen. Inside Llewyn Davis premiered back in May at the Cannes Film Festival where it won the Grand Jury Prize, essentially the runner-up to the Palm d’Or.  It stars Oscar Isaac as an aspiring folk musician in the early 1960s. The film, by all accounts, belongs to Isaac and is, after Sucker Punch, Robin Hood, W.E. and Drive, the one that will finally make him a star. The rest of the cast includes Carey Mulligan, John Goodman, F. Murray Abraham and…Justin Timberlake.

The Cannes buzz (it will probably go to Venice and Toronto as well) along with the Coen Brothers pedigree,  finally got the film distribution, and it is currently slated for an awards-friendly (limited) US release date of December 3 (before going wide on the 20th). I’ve had my eye on this one since filming began in Greenwich Village in January of 2012. The Coen Brothers. That is all. When can I buy my ticket?

Since all that these two films have in common is Justin Timberlake, I’m but using him as a jumping off point to introduce a trailer for each.

The name of the game is “Trailer or Spoiler”. Those few minutes of footage for Runner, Runner would seem to be yet another example of a “teaser” that gives the game away. It’s a story that’s already been told countless times: wide-eyed innocent gets a taste of the good life, starts to lose his soul (prodded by the devil’s surrogate), comes to his senses thanks to the love of a good woman and does battle with the devil and vanquishes the evil in his life. But, shouldn’t one have to buy a ticket to find out if it is, in fact, the same old song and dance?

The arc of the plot won’t be a mystery to most (especially since Robert Luketic covered nearly the same territory in 2008’s 21), but is that reason enough to lay it all out in these few flashy feet of footage?  Shouldn’t the producers have enough faith in their material, not to mention their cast, to let them attract ticket-buyers? The fact that Runner, Runner is being released in September and not in, say, November, coupled with this seemingly no-holds-barred first look, does not bode well for the finished produce. Just my humble opinion.

The clip below is not the first, but the third trailer released for Inside Llewyn Davis and while we can put a lot of the pieces together from what we’ve been given, we do still have to use our noodles to get a clear idea of what’s going on here.

We already know the film is about struggling musicians on the cusp of the folk wave about to break in the early 1960s, but does Davis have any talent? We can tell that Isaacs’ title character has some sort of relationship with Carey Mulligan, but the exact nature remains a mystery (even if earlier trailers gave us more of a hint).  Where does Timberlake fit in? Who is John Goodman’s character? Will Davis ever make it big? And why is he carrying around that cat? Will we get to hear more of JT harmonizing with Marcus Mumford?

Perhaps because this film is more a character study than a high-concept adventure/drama, there are still plenty of secrets left to uncover. (Unless of course one chooses to read any of the spoiler filled reviews that came out of Cannes, but that’s another rant for another day.)

Runner-Runner-Timberlake Runner-Runner-Affleck Runner Runner poster Inside Llewyn Davis poster

And the Oscar Goes To…

Ben Affleck and the cast of Argo, the movie that directed itself to Best Picture

Ben Affleck and the cast of Argo, the movie that directed itself to Best Picture

I cannot lie. I love this stuff.  The Academy Awards…excuse me, THE OSCARS, is my high holy day. It has been for as long as I can remember.

This year’s host, Seth MacFarlane, actually started out really strong . “The quest to make Tommy Lee Jones laugh begins now.” But then immediately dropped off when the camera cut to TLJ who was, of course, laughing.

MacFarlane was back up when he addressed Ben Affleck’s snub right off the top. “They know they screwed up. Ben, it’s not your fault.”  He probably should have quit while he was ahead – about thirty seconds in.

What came next, the taped segment, with William Shatner as Captain James T. Kirk, went on WAAAAAY too long and was so wildly hit or miss. That horrible “boob”song nearly brought the whole thing to a halt. I don’t know who was cheering when it was over, unless it was because it was over.  Every actress, except Jennifer Lawrence, that they cut to was horrified. Charlize looked embarrassed, but then again, maybe it was a setup because the next thing we knew she was on stage with Channing Tatum doing Ginger Rogers and Fred Astaire, while Seth sang Jerome Kern!! Unreal, unexpected and entirely fabulous!

…followed by a really stupid sock-puppet thing that almost sucked the air out of the Dolby Theater, then THAT was followed up by Joseph Gordon-Levitt, MacFarlane and Daniel Radcliffe doing a song and dance to “High Hopes”.  At this point, I started to think that the whole show was bi-polar – a tribute to Silver Linings Playbook.

Presenting the first award of the night, Best Supporting Actor, Octavia Spencer looked really good, but was really trying way too hard for applause that didn’t come. And of course, I start of 0-1 by not going with Christoph Waltz (for a role that was really a co-lead and not supporting). I should have known better. Oh well. Waltz does give a helluva speech.

Be still my cold and cynical heart!! Surprise #1! Brave won Best Animated Film!! My faith is restored!

I did call Claudio Miranda for Cinematography. I called it as soon as I saw the film. Gorgeous. I still would have liked Roger Deakins to get it. He’s 0-10.

The Jaws theme used to play off those whose speeches run long was inspired, The Avengers reunion was not.

The James Bond at 50 tribute wasn’t all I expected it to be until Dame Shirley Bassey classed up the joint and belted out “Goldfinger” like a boss in head-to-toe gold sequins and then, rightfully, got a standing ovation. Do you have any idea how old she is? No, of course not.  Would you believe me if I told you she’s 76? Wow.

As predicted Anne Hathaway won Best Supporting Actress and as predicted she acted surprised. That whispered, “it came true!” was a tad twee. I know I’m cynical but the breathy speech was a bit much. On the other hand, it is a freakin’ OSCAR! The big one! Sure we all thought she’d win, but thinkin’ ain’t knowin’. And she deserved it.

The “In Memoriam” segment never fails to make me verklempt, but this year, when Marvin Hamlisch’s name came up and I heard the first strains of “The Way We Were”…chills. I am still in awe of Barbra Streisand. I always have to remember that she and my mother are the same age. (Apropos of nothing, anyone else think someday Jennifer Aniston should play her?)

There was only one Best Original song choice and it won (and I swear if the Ted song had won, I’d have stopped watching). “Skyfall” from Skyfall is the only song anyone will remember two days from now, let alone when future generations look at past Oscar winners. And Adele showed up to flawlessly sing it. She’s only 24 folks. Why the hell they felt the need to drag that out, I have no idea. By the time that award was handed out, we were at the 2 hrs, 45 min. mark.

I was really hoping for a write-in for Ben Affleck or Kathryn Bigelow. It’s my child-like hopefulness. So Ang Lee became the only director to win twice without his movie being named best picture.

It’s no secret that I wanted Jessica Chastain to get Best Actress, especially since the film had so unfairly been treated as “dead-in-the-water” for the past few weeks, but I can’t take issue with Jennifer Lawrence or her performance. It’s amazing to think that she’s only 23 and had been nominated for Best Actress twice and won once already. Move over Meryl. If Streep had been able to hand Lawrence the Oscar, it would have been an almost literal passing of the torch.

When it was time for Best Actor, half the audience probably used it for a bathroom break, so foregone was the conclusion. By the time Meryl announced, rather than read, Daniel Day Lewis’ name, it was anti-climactic, despite the fact that he just made Oscar history by becoming the only actor to win three times in the lead category. I’m just glad I got to hear him speak. He never fails to impress and surprise me whenever he does. Pure class, intelligence, humor and grace.

Jack Nicholson got an assist from the first First Lady of the United States, Michelle Obama (!!) as he announced that Ben Affleck’s “little film that could”, Argo, took Best Picture. If, upon subsequent viewings, the tension is still palpable surrounding an event one knew the outcome of even before the first time that you saw it, THAT is a great movie. (I think the same can be said of Zero Dark Thirty). I have no idea what kind of man he actually is, but Ben Affleck is a damn fine filmmaker. He’s an actor who wasn’t getting the kind of roles that he wanted so he decided to take matters into his own hands and create them for himself.  I’m so glad that  Alan Ladd, Jr. took a chance on him and allowed him to make Gone Baby Gone. Affleck has directed three stellar films, each one better than the last, in which he’s directed an actor to an Academy Award nomination and each one that holds up under multiple repeat viewings. He’s only forty years old. How will he top himself now? I can’t wait to find out.

FINALLY it’s over…nope. Seth MacFarlane has one last song to sing, with the help of Kristin Chenowith…serenading the “losers”. It wasn’t nearly as funny as it needed to be to avoid being superfluous. Oh well, it’s all over but the lamentations of those lamented “losers”.

In the immortal words of Porky Pig, “I belibelibelibelibelibel…that’s all folks!”

Here’s your complete List of Winners. My predictions are in red. If by some miracle of prognostication I got it right, it’s marked with **.  In the more likely event that I got it wrong, it’s in yellow (actually I did pretty well, if I do say so myself – 18 out of 24):

BEST PICTURE

Argo**

Django Unchained

Life of Pi 

Lincoln 

Zero Dark Thirty

Les Miserables

Silver Linings Playbook

Beasts of the Southern Wild

Amour

BEST DIRECTOR

Ang Lee, Life of Pi

Steven Spielberg, Lincoln

David O. Russell, Silver Linings Playbook

Michael Haneke, Amour

Benh Zeitlin, Beasts of the Southern Wild

LEAD ACTOR

Daniel Day-Lewis, Lincoln**

Joaquin Phoenix, The Master

Denzel Washington, Flight

Bradley Cooper, Silver Linings Playbook

Hugh Jackman, Les Miserables

LEAD ACTRESS

Jessica Chastain, Zero Dark Thirty

Naomi Watts, The Impossible

Jennifer Lawrence, Silver Linings Playbook

Emmanuelle Riva, Amour

Quvenzhane Wallis, Beasts of the Southern Wild

BEST SUPPORTING ACTOR

Alan Arkin, Argo

Robert De Niro, Silver Linings Playbook

Philip Seymour Hoffman, The Master

Tommy Lee Jones, Lincoln

Christoph Waltz, Django Unchained

BEST SUPPORTING ACTRESS

Amy Adams, The Master

Sally Field, Lincoln

Anne Hathaway, Les Miserables**

Helen Hunt, The Sessions

Jacki Weaver, Silver Linings Playbook

BEST ANIMATED FILM

Brave, Mark Andrews and Brenda Chapman**

Frankenweenie, Tim Burton

ParaNorman,  Sam Fell and Chris Butler

The Pirates! Band of Misfits,  Peter Lord

Wreck-It Ralph,  Rich Moore

CINEMATOGRAPHY

Anna Karenina,  Seamus McGarvey

Django Unchained, Robert Richardson

Life of Pi, Claudio Miranda**

Lincoln, Janusz Kaminski

Skyfall,  Roger Deakins (If I had a vote I’d go for Deakins who deserves a win)

COSTUME DESIGN

Anna Karenina, Jacqueline Durran**

Les Misérables,  Paco Delgado

Lincoln, Joanna Johnston

Mirror Mirror, Eiko Ishioka

Snow White and the Huntsman, Colleen Atwood

BEST DOCUMENTERY FEATURE

5 Broken Cameras
Emad Burnat and Guy Davidi

The Gatekeepers
Dror Moreh, Philippa Kowarsky, Estelle Fialon

How to Survive a Plague
David France, Howard Gertler

The Invisible War
Kirby Dick, Amy Ziering

Searching for Sugar Man
Malik Bendjelloul, Simon Chinn**

BEST DOCUMENTARY SHORT

“Inocente”
Sean Fine and Andrea Nix Fine

“Kings Point”
Sari Gilman and Jedd Wider

“Mondays at Racine”
Cynthia Wade and Robin Honan

“Open Heart”
Kief Davidson and Cori Shepherd Stern

“Redemption”
Jon Alpert and Matthew O’Neill

FILM EDITING

Argo,  William Goldenberg

Life of Pi, Tim Squyres

Lincoln,  Michael Kahn

Silver Linings Playbook, Jay Cassidy and Crispin Struthers

Zero Dark Thirty, Dylan Tichenor and William Goldenberg

BEST FOREIGN LANGUAGE FILM

Amour  Austria**

Kon-Tiki  Norway

No Chile

A Royal Affair Denmark

War Witch Canada

ACHIEVEMENT IN HAIR & MAKE-UP

Hitchcock, Howard Berger, Peter Montagna and Martin Samuel

The Hobbit: An Unexpected Journey, Peter Swords King, Rick Findlater and Tami Lane

Les Misérables, Lisa Westcott and Julie Dartnell**

ORIGINAL SCORE

Anna Karenina Dario Marianelli

Argo Alexandre Desplat

Life of Pi Mychael Danna**

Lincoln John Williams

Skyfall Thomas Newman

ORIGINAL SONG

“Before My Time” from Chasing Ice
Music and Lyric by J. Ralph

“Everybody Needs A Best Friend” from Ted
Music by Walter Murphy; Lyric by Seth MacFarlane

“Pi’s Lullaby” from Life of Pi
Music by Mychael Danna; Lyric by Bombay Jayashri

“Skyfall “from Skyfall
Music and Lyric by Adele Adkins and Paul Epworth**

“Suddenly” from Les Misérables
Music by Claude-Michel Schönberg; Lyric by Herbert Kretzmer and Alain Boublil

PRODUCTION DESIGN

Anna Karenina
Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

The Hobbit: An Unexpected Journey
Production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright

Les Misérables
Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson

Life of Pi
Production Design: David Gropman; Set Decoration: Anna Pinnock

Lincoln
Production Design: Rick Carter; Set Decoration: Jim Erickson

ANIMATED SHORT

“Adam and Dog” Minkyu Lee

“Fresh Guacamole” PES

“Head over Heels” Timothy Reckart and Fodhla Cronin O’Reilly

“Maggie Simpson in “The Longest Daycare”” David Silverman

“Paperman” John Kahrs**

LIVE ACTION SHORT

“Asad” Bryan Buckley and Mino Jarjoura

“Buzkashi Boys” Sam French and Ariel Nasr

“Curfew” Shawn Christensen**

“Death of a Shadow (Dood van een Schaduw)” Tom Van Avermaet and Ellen De Waele

“Henry” Yan England

SOUND EDITING

Argo, Erik Aadahl and Ethan Van der Ryn

Django Unchained, Wylie Stateman

Life of Pi, Eugene Gearty and Philip Stockton

Skyfall, Per Hallberg and Karen Baker Landers**

Zero Dark Thirty, Paul N.J. Ottosson

SOUND MIXING

Argo, John Reitz, Gregg Rudloff and Jose Antonio Garcia

Les Misérables, Andy Nelson, Mark Paterson and Simon Hayes**

Life of Pi, Ron Bartlett, D.M. Hemphill and Drew Kunin

Lincoln, Andy Nelson, Gary Rydstrom and Ronald Judkins

Skyfall, Scott Millan, Greg P. Russell and Stuart Wilson

VISUAL EFFECTS

The Hobbit: An Unexpected Journey, Joe Letteri, Eric Saindon, David Clayton and R. Christopher White

Life of Pi, Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott**

Marvel’s The Avengers , Janek Sirrs, Jeff White, Guy Williams and Dan Sudick

Prometheus, Richard Stammers, Trevor Wood, Charley Henley and M

Martin Hill

Snow White and the Huntsman, Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson

ADAPTED SCREENPLAY

Chris Terrio, Argo**

Lucy Alibar & Benh Zeitlin, Beasts of the Southern Wild

David Magee, Life of Pi

Tony Kushner, Lincoln

David O. Russell, Silver Linings Playbook

ORIGINAL SCREENPLAY

Michael Haneke, Amour

Quentin Tarantino, Django Unchained**

John Gatins, Flight

Wes Anderson & Roman Coppola, Moonrise Kingdom

Mark Boal, Zero Dark Thirty