My Daily Moment of Zen! Now with More Gloating!

Okay, I’m suffering from my annual post Oscar Night let down, BUT the fact that I "outguessed" a lot of the so-called professionals has eased the pain a bit.

I improved my average from the BAFTAS from 65% to 67%, which means I got 16 of 24 categories right. I didn’t even hazard a guess for the three "shorts" categories, so if I delete them, my average improves further to greater than 76% (16 of 21)  – Sorry my OCD is showing.  I realize this matters to no one else but me, but one takes one’s little victories where one may.

So, I’ve decided it would be easier to discuss where I went wrong (even though I’m very happy to say that I got Tom Hooper right!)

I was absolutely gutted, but not altogether surprised, that John Powell and How to Train Your Dragon did not win for Best Original Score. I was thrilled that it was nominated, and it was, of course, my favorite score, as I’ve loudly proclaimed from this blog and elsewhere for nearly a year now. I’ve also made clear that I could have lived with Alexandre Desplat’s score for The King’s Speech beating HTTYD. I cannot, however, understand the love for the music from The Social Network. I should have seen its Golden Globe win as a portent of things to come, but I naively believed that quality would win over the Academy’s newfound desire to be perceived as "hip".  Perhaps there is a contingent of completist Nine Inch Nails fans that will download Trent Reznor and Atticus Ross’ neo-emo soundtrack, but I don’t believe they’ll still be listening to it a month from now, let alone long enough for it to deserve to go into the annals of AMPAS.  It remains to be seen whether or not either Reznor or Ross continues to supply the world with beautiful movie music. I think it is a given that Powell, Desplat, Zimmer and even Rahman will do so.

I was a little surprised, although I can’t say I was disappointed, that David Seidler’s original screenplay for The King’s Speech won out over Christopher Nolan’s for Inception. Seidler had the momentum going into last night’s ceremony and there is no doubt that it was a great piece of writing, but I really did think that the Academy would give it to Nolan because 1. His script was original in every sense of the word and 2. to atone for his egregious snub in the Director’s category.  No one thought Inception, despite its merits, would win Best Picture.  Despite the fact that the film won other, richly deserved awards, The Best Original Screenplay category would have been a great way to recognize Nolan. 

For Best Costume Design, I went with The King’s Speech, but was not shocked nor particularly disappointed that the Academy went for all-out fantasy and Alice in Wonderland took the award. That film was all about the visuals, particularly the costumes, which were spectacular, even if the rest of the film was not. It made sense.

I flat out guessed on my pick for Best Foreign Language Film. I went with Biutiful because both the director, Alejandro Gonzales-Inarritu and its star, Javier Bardem, are known to the Academy and its voters. Bardem was even nominated for Best Actor for this film.  Again, I should have paid more attention to the bellwethers of the Hollywood Foreign Press and expected Denmark’s win for In a Better World.

I really thought it was "too soon" for Inside Job to win for Best Documentary Feature.  I was wrong. Its win will ensure that more people see it, which is not a bad thing, although I would have liked for Restrepo to have gotten that kick.

So, those are the five that I got wrong.  My other misses, as I said, were for the three "shorts" – Documentary,  Animated and Live Action- which I didn’t even guess at. (Although if I had, I would have gotten Animated wrong because I’d have gone with Day & Night, but I’d have gotten Live-Action right because I’d have picked God of Love -honest!)

So it’s all over for another 10 months when the madness begins anew. It was a good night for Harvey and The Weinstein Company, and I fully expect to see him back in his seat at the Kodak this time next year in support of another ‘little-film-that-could’…

As always, thanks for reading. Oh and I’ve got TREATS!!

And the bromance continues…

*clicky clicky*


edit: (and I stated this elsewhere but felt the need to amend this post) Adding to my surprise (and disappointment) that Gerard Butler wasn’t at the Academy Awards, was my disappointment in the lack of support for How to Train Your Dragon. Is it every day he’s involved with an Academy Award nominated film of any kind?? I realize it was just about a foregone conclusion that Toy Story 3 would win the category, but I don’t think that excuses the complete lack of a showing for HTTYD, (by anyone involved – they ARE doing a sequel- would it have been that difficult for say G and Craig Ferguson, possibly even Jay Baruchel, to show their faces?) especially when it swept the Annies and John Powell’s score had just been named Score of the Year. The appearance of hope would have been nice. The 9 other films nominated for Best Picture, who had to have been at least 75% sure that The King’s Speech would win, still had strong turnouts.

Rant over.



From their website:

"The International Film Music Critics Association announces the winners of its seventh annual awards for excellence in musical scoring in 2010 with John Powell’s score for the animated film HOW TO TRAIN YOUR DRAGON topping the list, winning both Film Score of the Year and Best Score for an Animated Film. Alexandre Desplat receives three awards: Best Score for a Drama Film (THE KING’S SPEECH), Best Score for an Action/Adventure/Thriller Film (THE GHOST WRITER) and Composer of the Year."

 I’m doing the demented poodle dance right now!

I couldn’t be happier or more excited that Powell and HTTYD have been recognized in this way. I love the fact that this organization differentiates between types of scores. I am a little confused, however, how they can decide that HTTYD has the Best Score of the Year and yet Alexandre Desplat is the Composer of the Year.

The seeming disparity actually it reminds me of the Oscar races for Best Director and Best Picture. Many pundits and critics are still predicting David Fincher will take Best Director for The Social Network while also guessing The King’s Speech will win Best Picture. I guess that means that scores can compose themselves just like films can direct themselves.

So what does this win mean for John Powell and HTTYD‘s chances on Sunday night?

Desplat’s last win in which he went head to head with Powell was at the BAFTAs. Not at all surprising given the rout that the ‘veddy British’ The King’s Speech perpetrated on its competitors. The question remains how will either one of them do Sunday night against Golden Globe winners Trent Reznor and Atticus Ross for The Social Network. I realize there are two other films also nominated and Hans Zimmer can never be counted out, particularly when support for Inception seems to be gaining ground. A.R. Rahmin, who won in 2009 for both score and song for Slumdog Millionaire should probably just be happy to be nominated.

IF Powell has to lose, I’d much rather it be to Desplat, who has been nominated four times for some truly beautiful music, including the score for The Queen, but has never won, than to Reznor and Ross for a score that I don’t think anyone will be listening to nor even remember next year. 

That being said, I really really really want Powell to win.

As always, thanks for reading. Since I can’t give you pics of music…


‘How to Train Your Dragon’ Swept the ‘Annies’!!

…and I do mean SWEPT!

Disney/Pixar chose to leave the sponsoring organization, the International Animated Film Association and not participate in this year’s awards so consequently Toy Story 3 was only nominated in three categories. The argument could, therefore, be made that HTTYD‘s performance at last night’s awards ceremony was almost a foregone conclusion, given the absence of the latest (last?) entry in D/P’s powerhouse franchise. Looking at a list of all of the nominees, DreamWorks Animation clearly dominates, in a way that Disney/Pixar had in recent years. (That story was covered in this- -post.)

JMHO, but that argument would do a disservice to the other nominees. For example, The Illusionist is the third feature nominated for an Academy Award (along with TS3 and HTTYD.)  The films nominated in the other  ‘Annie’ categories had also been mentioned as serious contenders for that nomination (with the exception of Summer Wars from Japan, which I had never heard of and whose only US release was limited to short runs in NY and LA.)

The fact that TS3 did not beat out HTTYD in those three categories in which it appeared does probably come down to the rift between D/P and the IAFA, but that in no way connotes that HTTYD was not worthy of the awards. These two films have been spoken of in the same breath for the entire awards season. They were the only two animated films released last year that had a lock on Academy nominations. Of course, it is always assumed that TS3 is the BMOC and HTTYD is the 2nd string. 

I would love to think that last night’s results would have some influence on Academy voters. Many of the voting members of the IAFA are voting members of the animation wing of AMPAS as well. The AMPAS membership as a whole obviously thinks well enough of TS3 to nominate it for Best Picture, but it remains to be seen if the chasm between D/P and the IAFA is wide enough to cause a surge in support for HTTYD.  (A lot of perceptions have changed about a lot of films since the nominations were announced so anything is possible!)

Here is a rundown of the film related categories with their winners in bold:

Best Animated Feature
Despicable Me – Illumination Entertainment and Universal Pictures
How to Train Your Dragon – DreamWorks Animation
Tangled – Disney
The Illusionist – Django Films
Toy Story 3 – Disney/Pixar

Best Animated Short Subject
Coyote Falls – Warner Bros. Animation
Day & Night – Pixar
Enrique Wrecks the World – House of Chai
The Cow Who Wanted To Be A Hamburger – Plymptoons Studio
The Renter – Jason Carpenter

Animated Effects in an Animated Production
Andrew Young Kim “Shrek Forever After” – DreamWorks Animation
Jason Mayer “How To Train Your Dragon” – DreamWorks Animation
Brett Miller “How To Train Your Dragon” – DreamWorks Animation
Sebastian Quessy “Legend Of The Guardians: The Owls of Ga’Hoole” – Warner Bros. Pictures
Krzysztof Rost “Megamind” – DreamWorks Animation

Character Animation in a Feature Production
Mark Donald “Megamind” – DreamWorks Animation
Anthony Hodgson “Megamind” – DreamWorks Animation
Gabe Hordos “How To Train Your Dragon” – DreamWorks Animation
Jakob Hjort Jensen "How To Train Your Dragon" – DreamWorks Animation
David Torres "How To Train Your Dragon" – DreamWorks Animation

Character Animation in a Live Action Production
Quentin Miles – Clash of the Titans
Ryan Page – Alice in Wonderland

Character Design in a Feature Production
Sylvain Chomet “The Illusionist” – Django Films
Carter Goodrich “Despicable Me” – Illumination Entertainment and Universal Pictures
Timothy Lamb “Megamind” – DreamWorks Animation
Nico Marlet “How To Train Your Dragon” – DreamWorks Animation

Directing in a Feature Production
Sylvain Chomet “The Illusionist” – Django Films
Pierre Coffin and Chris Renaud “Despicable Me” – Illumination Entertainment and Universal Pictures
Mamoru Hosoda “Summer Wars” – Madhouse/Funimation
Chris Sanders, Dean DeBlois “How To Train Your Dragon” – DreamWorks Animation
Lee Unkrich “Toy Story 3” – Disney/Pixar

Music in a Feature Production
Sylvain Chomet “The Illusionist” – Django Films
David Hirschfelder “Legend Of The Guardians: The Owls of Ga’Hoole” – Warner Bros. Pictures
John Powell “How To Train Your Dragon” – DreamWorks Animation  !!!!
Harry Gregson Williams “Shrek Forever After” – DreamWorks Animation
Pharrell Williams, Heitor Pereira “Despicable Me” – Illumination Entertainment and Universal Pictures

Production Design in a Feature Production
Yarrow Cheney “Despicable Me” – Illumination Entertainment and Universal Pictures
Eric Guillon “Despicable Me” – Illumination Entertainment and Universal Pictures
Dan Hee Ryu “Legend Of The Guardians: The Owls of Ga’Hoole” – Warner Bros. Pictures
Pierre Olivier Vincent “How To Train Your Dragon” – DreamWorks Animation
Peter Zaslav “Shrek Forever After” – DreamWorks Animation

Storyboarding in a Feature Production
Alessandro Carloni “How To Train Your Dragon” – DreamWorks Animation
Paul Fisher “Shrek Forever After” – DreamWorks Animation
Tom Owens “How To Train Your Dragon” – DreamWorks Animation
Catherine Yuh Rader “Megamind” – DreamWorks Animation

Voice Acting in a Feature Production
Jay Baruchel as Hiccup “How To Train Your Dragon” – DreamWorks Animation
Gerard Butler as Stoick “How To Train Your Dragon” – DreamWorks Animation
Steve Carrell as Gru “Despicable Me” – Illumination Entertainment and Universal Pictures
Cameron Diaz as Fiona “Shrek Forever After” – DreamWorks Animation
Geoffrey Rush as Ezylryb “Legend Of The Guardians: The Owls of Ga’Hoole” – Warner Bros. Pictures

Writing in a Feature Production
Michael Arndt “Toy Story 3” – Disney/Pixar
Sylvain Chomet “The Illusionist” – Django Films
William Davies, Dean DeBlois, Chris Sanders “How to Train Your Dragon” – DreamWorks Animation
Dan Fogelman “Tangled” – Disney
Alan J. Schoolcraft, Brent Simons “Megamind” – DreamWorks Animation

The award I am most thrilled with is, of course, John Powell’s win for his score. I won’t gush or go into, yet again, how much I loved it or how deserving of awards and accolades I think it is. I will say that I hope this win, and the possibility of a win at next weekend’s BAFTAs, will translate into some Academy votes. The ballots are still out there. Vote early and often Academy members!

Again, I humbly offer my sincere congratulations to DreamWorks Animation and How to Train Your Dragon on their wins last night. My digits are still crossed for an upset on February 27th!

Unrelated note:  At yet another awards ceremony held last night,  Aaron Sorkin and The Social Network along with Christopher Nolan and Inception won WGA awards for Adapted and Original Screenplays respectively.  The odds are certainly in their favor that these wins will carry over to Oscar night. (This tells me that I’ve backed the right two horses, so to speak. lol)

Superfluous Golden Globes Prediction Post-Edited w/Results

Before it’s too late, I figured I should probably get my predictions in for tonight’s Golden Globes, although whether I get any of them right or not matters to no one else but me, I am sure. (But we all know how much I like to be right, so if I am, I want it on record. )

Okay, so on to the nominations and my picks. First, I have to say how excited I am that I have actually seen all five of the films nominated in the Drama category. It represents not only a return to form, but a personal triumph for me since I can’t tell  you the last time that happened.

The nominees for Best Motion Picture – Drama
Black Swan
The Fighter
The King’s Speech
The Social Network

The Hollywood Foreign Press Association are an odd bunch. There are only 82 members (plus 7 add’l Lifetime Members, which I can only assume is like "emeritus," but I don’t know whether that status includes voting rights, as well as 3 Affiliate Members. I have no idea what that means.) In any case that’s a pretty small group considering how much clout they wield. According to the mission statement on their website, aside from the big bash with the gold plated statuettes, their main raison d’etre is philanthropy. At a luncheon in July 2010, the HFPA "presented a record $1,541,000 in financial grants to 41 film schools and non-profit organizations."

So, with that as background and since this is the Golden Globes we’re discussing here, I suppose anything is possible in any of these categories, particularly BP-Drama. There are too many well-documented instances of the HFPA going off in a completely unexpected direction (more on that in the next category,) so I wouldn’t count any of them out. However, while all five of these films have enormous merit and I couldn’t be unhappy if any of them won, I believe it comes down to The Social Network and The King’s Speech. 

The Social Network
was anointed as the film to beat back in September, upon its release and it continues to clean up with various critics association awards and guild nominations. Its latest victory was the Critics Choice Award. I have seen it (finally) and while there is no question it is a finely crafted movie, borne along by talented wordsmith Aaron Sorkin’s  script, I stand by my initial impression. It belongs in a time capsule, but I’m not convinced it’s the "Best Picture" of the year.  What makes it truly special, and as always, this is JMHO, is that it is a behind the scenes look at the creation of the phenomenon which has come to define the age we live in. Otherwise it’s just the story of a hyper-intelligent computer geek with retarded social skills who wants desperately to be seen as "cool" and who manages to piss off and/or alienate everyone he comes into contact with. None of those things make it a classic or even a movie I want to watch more than once. That may change, but my point is I’ve already seen Inception, The King’s Speech and The Fighter twice and I know I want to see all of them again.

I have to go with The King’s Speech. First, because it is the Hollywood Foreign Press Association doing the voting and second because I still maintain it’s the best film of the year. JMHO

Got this one wrong, because I picked with my heart and not my head,  which doesn’t bode well for my favorite movie come Oscar night.

The Nominees for Best Motion Picture -Musical or Comedy
Alice in Wonderland
The Kids Are All Right
The Tourist

This category is a classic example of HFPA lunacy. At first glance it would appear as if they threw the names of a bunch of movies that vaguely fit the category description into a hat after a kegger at  Phil Berk’s*  place. I wonder who got to draw them out? Johnny Depp or Cher? (The Tourist? Burlesque? Red?? Really???) But, upon closer inspection, and a little digging, it makes ( a little) more sense. The members of the HFPA delivered to their home countries essentially favorable reviews of all of these films. (The releasing studios of some of them are also said to have provided expensive perks to said members, a practice given tacit approval in the past by virtue of the fact that it was largely ignored. Partly because of the wacky choices in this category, however, this year there is controversy swirling around the selection process. There may be changes ahead. But I digress…)

MY pick is The Kids Are All Right. What I think the HFPA went for is Alice in Wonderland.

Okay so I hedged my bet here. See above lol.  I’m glad the one I wanted to win actually did.

The Nominees for Best Performance by an Actor in a Motion Picture – Drama
Jesse Eisenberg for The Social Network
Colin Firth for The King’s Speech
James Franco for 127 Hours
Ryan Gosling for Blue Valentine
Mark Wahlberg for The Fighter

Back to The Social Network, I  have to say I don’t understand the kudos that Jesse Eisenberg has been garnering.  I didn’t find his portrayal of Mark Zuckerberg to be that different from any other character that Jesse Eisenberg has ever played, he just did it with a straight face. A totally straight face. As in blank. His line delivery reminded me of Rain Man. I don’t think the real Mark Zuckerberg is autistic so why did Eisenberg play him that way? I’d always thought he was cast because he physically resembled the actual person.

I must confess that I am one of those that James Franco’s grandmother called a "pussy" because I didn’t see 127 Hours simply because I didn’t want to watch someone hack their own arm off. I understand there was more to the film and Franco’s performance than that and I’ll rent it some day I’m sure.

I’ve already discussed Mark Wahlberg in The Fighter. This very well may be the role of his career and he deserves the nomination. Ryan Gosling was phenomenal in Blue Valentine. This category is one reason I don’t understand how so many critics and bloggers can complain that 2010 was a crappy year for film.  I’m tired of reading it. If the choices are this tough then there were some truly amazing performances last year and we, as movie goers, win.

Having said that, I’m sticking with Colin Firth, again for reasons I’ve already given in another post. Even with bamboo being shoved under my fingernails, I’d still say his George VI was the best performance of the year. Flawless.


The Nominees for Best Performance by an Actress in a Motion Picture – Drama
Halle Berry for Frankie and Alice
Nicole Kidman for Rabbit Hole
Jennifer Lawrence for Winter’s Bone
Natalie Portman for Black Swan
Michelle Williams for Blue Valentine

Okay, I have not seen Frankie and Alice nor Rabbit Hole. I can only assume that the former played somewhere prior December 31 of last year in order for Halle Berry to have qualified for this award, but I haven’t heard a thing about it since the pics of her running down the street in a huge Afro wig hit the internet last spring.  The latter I have avoided. I’ll see it when it makes it to dvd. I’m sure Nicole Kidman acts her ass off. 
The remaining three performances are all fantastic and all emotionally raw, none more so than Michelle Williams in Blue Valentine. She is amazing. The scene in the hotel room alone would have earned her a nomination. I’ve said before about Winter’s Bone that without Jennifer Lawrence’s fierce and fearless portrayal of Ree Dolly, there is no movie. These two will definitely be battling it out for the Independent Spirit Award, where Natalie Portman is anything but a lock.

Speaking of Ms. Portman, I do believe, since at this dance she has no competition from Ms. Bening, that the award is hers. The Golden Globes are the first big mainstream awards ceremony of the year and while the announcement of her pregnancy came too late to help her here (the way it is believed it probably will with the Academy,) she has already won once before as a supporting actress(Closer in 2005.) More to the point, her beautiful, fragile, terrified and terrifying ballerina is an exquisite performance.


The Nominees for Best Performance by an Actor in a Motion Picture -Musical or Comedy
Johnny Depp for The Tourist
Johnny Depp for Alice in Wonderland
Paul Giamatti for Barney’s Version
Jake Gyllenhaal for Love and Other Drugs
Kevin Spacey for Casino Jack

I really don’t feel strongly about any of these nominations. Don’t get me wrong, I looove Kevin Spacey but Casino Jack hasn’t made it to Beantown yet. Neither has Barney’s Version and I’m a huge Paul Giamatti fan. It’s either going to be Johnny Depp or Johnny Depp, so I’m going to flip a coin and say Johnny Depp.

I’m thrilled that I not only got it wrong but that Giamatti won! Huge, but pleasant surprise. Paul Giamatti beat Johnny Depp twice!

The Nominees for Best Performance by an Actress in a Motion Picture -Musical or Comedy
Annette Bening for The Kids Are All Right
Anne Hathaway for Love and Other Drugs
Angelina Jolie for The Tourist
Julianne Moore for The Kids Are All Right
Emma Stone for Easy A

Unless something truly bizarre happens, Annette Bening should have this. She’s the tough but tender core of her movie and an industry favorite. I’m glad that there are two "Best Actresses" at the Golden Globes because in the almost certain event they are both nominated for an Oscar, Bening will have to go up against Portman, and frankly, I don’t like her chances.


The Nominees for Best Performance by an Actor in a Supporting Role in a Motion Picture
Christian Bale for The Fighter
Michael Douglas for Wall Street: Money Never Sleeps
Andrew Garfield for The Social Network
Jeremy Renner for The Town
Geoffrey Rush for The King’s Speech

I loved Christian Bale in The Fighter. I adored Geoffrey Rush in The King’s Speech. I’ve been in Jeremy Renner’s corner for a long time. Michael Douglas could take it because the tabloid press made it seem like he was at death’s door.  Andrew Garfield?  I’d like to say he should be happy to be here, but he has already walked away with some critics’ top honors and frankly, he did make me feel Eduardo Saverin’s pain, but if someone from The Social Network had to be nominated in this category, why no mention of Armie Hammer? He played two roles!

Bale took the Critics Choice award last night, but I’m going to go with Geoffrey Rush for basically the same reason I went with The King’s Speech.

This was basically a coin toss and I am in no way disapppointed that Christian Bale won (and now this is another category that is a virtual sure thing at the Oscars.)

The Nominees for Best Performance by an Actress in a Supporting Role in a Motion Picture
Amy Adams for The Fighter
Helena Bonham Carter for The King’s Speech
Mila Kunis for Black Swan
Melissa Leo for The Fighter
Jacki Weaver for Animal Kingdom

Amy Adams played against type which is always good for a nomination. I’ve already sung her praises as well as those of Helena Bonham Carter. Mila Kunis was very good, but The Black Swan belonged to Natalie Portman. I am so happy that Jacki Weaver is even nominated that I won’t be at all disappointed if she doesn’t win. In fact, I don’t believe that she will. I believe the award will go to Melissa Leo, for the performance I compared to Weaver’s when I first discussed The Fighter.  Leo is another actor who’s long been deserving and whose time has come.


Best Director – Motion Picture
Darren Aronofsky for Black Swan
David Fincher for The Social Network
Tom Hooper for The King’s Speech
Christopher Nolan for Inception
David O. Russell for The Fighter

Here’s what I don’t get: The HFPA has wisely chosen to make a distinction in the "Best Picture" category between Comedy (or Musical) and Drama, something a lot of people (myself included) wish that the AMPAS would adopt as well. How then do they lump the directors (and the writers) of these same films into just one category? This makes no sense to me. Now, having said that, apparently this year all of the nominated films in the Comedy category directed themselves. The five gentlemen honored with a nomination for Best Director (and yes, after a brief detour last year, we appear to have returned to the land of misogyny, sorry Lisa Cholodenko,) are all from the Drama category.

I don’t want to say David Fincher just because his movie’s cleaning up all over the place, but whichever film wins Best Picture-Drama, its director will win this category.
I think. In which case, since I’ve thrown my lot in with The King’s Speech, I’ll go with Tom Hooper. Although again, I have to say they are all deserving and I could not quibble about any of them walking away with the award.  Nolan may get it because they have to give the film something. I’m waffling I know. I may edit this post. LOL

Again, intellectually I knew that Fincher would most likely get it, I wanted Tom Hooper to get it (and his movie to take that prize,) but any one of them could have surprised and would have been deserving.

Best Screenplay – Motion Picture
127 Hours: Danny Boyle, Simon Beaufoy
Inception: Christopher Nolan
The Kids Are All Right : Stuart Blumberg, Lisa Cholodenko
The King’s Speech : David Seidler
The Social Network : Aaron Sorkin

I have a similar gripe about this category as I do about the Directors category. At least the Oscars divide it up into Original and Adapted.

I’d love to say I think The King’s Speech will win, or even Inception, but I have to go with The Social Network. Aaron Sorkin managed to write a film in which nearly everyone and everything, including an educational institution with a 250 year history, was completely unlikeable, but was still riveting. I couldn’t turn away. It was like a well crafted train wreck.

But I had to wonder about this: "You’re not an asshole Mark, you’re just trying so hard to be."  WTF? Was that an afterthought by the producers so that they wouldn’t get sued? My first thought was "No! He IS an asshole!" but then Rashida Jones’ next line sums it all up: "Every creation myth needs a devil."

Mark Zuckerberg as written by Aaron Sorkin made me feel sorry for the Winklevoss twins. I’ll bet no one EVER feels sorry for the real Winklevoss twins.


Best Original Score -Motion Picture
127 Hours (2010): A.R. Rahman
Alice in Wonderland (2010): Danny Elfman
Inception (2010): Hans Zimmer
The King’s Speech (2010): Alexandre Desplat
The Social Network (2010): Trent Reznor, Atticus Ross

I’m so disappointed that the score for How to Train Your Dragon is not among the nominees here that I’m tempted to just skip the category. I think Danny Elfman got John Powell’s spot just because he’s Danny Elfman. I really didn’t find anything special or memorable about the score for Alice in Wonderland.  Of the scores on this list, the only one I can really say that about is The King’s Speech (which is my pick although I have the sneaking suspicion Hans Zimmer could steal for Inception.)

So not impressed here.

Best Original Song -Motion Picture
Burlesque (2010/I): Samuel Dixon, Christina Aguilera, Sia Furler (“Bound to You”)
Burlesque (2010/I): Diane Warren (“You Haven’t Seen The Last of Me”)
Country Strong (2010): Bob DiPiero, Tom Douglas, Hillary Lindsey, Troy Verges (“Coming Home”)
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010): Carrie Underwood, David Hodges, Hillary Lindsey (“There’s A Place For Us”)
Tangled (2010): Alan Menken, Glenn Slater (“I See the Light”)

Again, where is "Sticks and Bones" by Jonsi from HTTYD?? C’mon! People saw that movie! They heard that song! This is another category with questionable choices at best.  I’m going with the song from Tangled simply because the HFPA has shown Alan Mencken some love in the past and they would recognize his name. (Although whoever Hillary Lindsey is, she has a Johnny Depp of a chance to steal)

Should have known. Cher apparently really did a PR blitz on voters. I don’t care.

Best Animated Film
Despicable Me
How to Train Your Dragon
The Illusionist
Toy Story 3

I know what you’re thinking, "Gee, I wonder which one it will be??" she said facetiously. Okay my pick is OBVIOUSLY HTTYD, but unless the HFPA pulls a Marisa Tomei,  ("and the Golden Globe goes to The Illusionist") then the winner will be Toy Story 3.


It’s not sour grapes that I’m not happy  to be right here. No, I’m  more annoyed about Director Lee Unkrich’s pre-show remarks. He was apparently voicing his disappointment about the fact that his category was a foregone conclusion and how nice it would have been to have "some competition."  I really hope that story gets picked up and there is some TS3 back-lash come Oscar time.  (Okay so maybe THAT’S sour grapes.)

Best Foreign Language Film
Biutiful (Mexico/Spain)
The Concert (France)
The Edge (Russia)
I Am Love (Italy)
In a Better World (Denmark)

Now, this is really a tough category to call. For one thing, I  haven’t seen any of them. For another, I have to wonder how many HFPA members are from each of the submitting countries. I haven’t parsed it out, but if there are a predominant number of members from Spanish speaking countries are they more likely to vote for Biutiful? I’ve at least heard of that one and will see it eventually, although what I’ve  heard is that aside from Javier Bardem’s wonderful performance, the film is only  "meh."
The other film I’ve  heard of and have even seen a trailer for is I Am Love.  It looks gorgeous and interesting and I will probably see it. So on that completely subjective basis, I’ve already narrowed it down to two.  Using the names in a hat method of selection: Biutiful is my pick.

Well, I said I had no clue LOL but this was a surprise to most people I think.

Phew! Do I have the wherewithal to do this again in a month?

Now I hope no one seriously thought I was going to continue on to the television categories. If so, then I’m sorry to disappoint, however, I will say this:  I am seriously and strenuously rooting for Edgar Ramirez to win Best Actor in a miniseries for Carlos. I can’t make the case for this film too strongly. It is definitely worth the investment of your time. (FYI-The Sundance Channel is again running the whole thing on Thurs. 20 January 2011. This is what Tivo was invented for.) I’m also rooting for  him to show up on the red carpet, but that’s another story.

I would also be very happy if Idris Elba won for "Luther," a six part BBC series about a flawed, but gifted detective with a fucked up personal life and a temper. (For those who haven’t seen it, BBC America will probably rerun it again before the start of series #2)

Being a realist (most of the time,) I have already accepted that what I want counts for virtually nothing and Al Pacino will take this category anyway.

Okay, got this one right, but I’m not happy about it. Edgar Ramirez was robbed, especially given the very happy surprise of Carlos winning Best Miniseries.  See this movie people!

Final tally: 7 (and a half) right out of 15 picks on this page.   Batting .500 – I predict I’ll do better next month.

Hmm…whatever shall I do to console myself….

Oh I know!

*Don’t forget to click*

*Philip Berk-HFPA President